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Enigma Norteño

Keeping Up With El Komander

komander-cigar

When NorteñoBlog last checked in with Alfredo Ríos El Komander, it was right after el primero de enero and everyone was still pisteando. This is inexcusable. Komander is the premier singles artist of our time, as proven by the 21-song digital album El Komander 2015 Top 20 (Twiins), which showcases his tuba-driven norteño band. Under their fingers, the nerviest sentiments become off-the-cuff, and the silliest drinking songs swing like a hammer throw competition. Despite sounding like they’re inventing their music as they go, they rarely settle for less than consummate hooks and popcraft.

They also rarely stand still. Since that collection, Komander and his manos have released a bunch more songs. NorteñoBlog sleeps on them no longer!

komander-chefFirst up is “El Chef de las Cocinas,” in which Sr. Ríos introduces us to his stove. Turns out he runs a cracking meth biz in Sinaloa, where he can enjoy the fresh air while strolling through the hills surrounded by his army of ex-militia soldiers. His product is all locally sourced — “nada es ‘Made In China'” — and socially responsible, in that Komander doesn’t deal with people who are racist. I’m not ashamed to tell you I would vote El Komander’s meth operation for president over Donald Trump. Not that meth is so great, but Trump’s just a really low bar. Musically the song is an appealing but rote corrido, with most of its action coming from the tubist, who plays as a rock-hard extension of the drum kit, coordinating his hits and fills with the cymbals. VALE LA PENA

komander-mayitoWe move from there to some Mexican CNN type shit, or at least to some Hasty Cartel Googling. Continue reading “Keeping Up With El Komander”

Fiesta de Aniversario: THE PICKS TO CLICK

gerardo birthday

NorteñoBlog doesn’t always Pick to Click, but when I do… sometimes I get it wrong and type “Click to Pick.” This made searching for the previous year’s worth of Picks INTERESANTE.

The Pick to Click began as a shameless ripoff from Charles Pierce’s must-read liberal politics blog at Esquire, as did a couple other, possibly subtler NorteñoBlog tics. (Spot them all! Both! Whatever!) It’s a useful way to highlight the song I enjoy the most in a particular post, so that you the loyal reader don’t have to wade through a pool of Banda MS’s tears to reach the good stuff. Of course, if you enjoy the delectable bouquet wafting from Banda MS’s tears, you can always Click what I don’t Pick, though you’ll run the risk of turning Banda MS happy and then they might run out of Art. Besides current singles, the following list includes some older singles and current album tracks.

Most Picked at three apiece: NorteñoBlog’s probable artists of the year Alfredo Ríos “El Komander” and Marco Flores y #1 Banda Jerez. Banda Cuisillos, Noel Torres, and Chuy Lizárraga each scored two Picks. So did Los Gfez, Pancho Uresti, and Ariel Camacho, though one Pick from each of those three was in a “featured” role. Besides norteño and banda, the list includes cumbias and puro sax stomps, reggaeton and ABBA-schlager, Jenny and the Mexicats and Pitbull, and covers of Johnny Cash and — first up — Shania Twain. Happy Clicking!
Continue reading “Fiesta de Aniversario: THE PICKS TO CLICK”

Major Corrideros: Enigma Norteño, Lenin Ramírez, & El Komander (AGAIN)

lenin ramirez

Every once in a while, it’s good for a fanboy like me to get some perspective. I ask myself the tough questions: Is Julión Álvarez really the best singer on the continent, or has Chuy Lizárraga taken his crown? If a dance band from Chihuahua marketed itself as “puro Zacatecas sax,” would any listener be able to tell the difference? And most importantly, how many fans does it take to reach #2 on Billboard‘s Top Latin Albums chart?

enigma nortenoThe answer according to Billboard: a grand oughta do it. That worked in the case of the corrido quartet Enigma Norteño, whose I-dunno-10th? album La Vida del Rey (Fonovisa) just scraped up to #2 with 1,000 albums sold. Such a low sales tally is nothing new, and it certainly doesn’t reflect on Enigma’s quality — they’re a good little band — but it does remind us that, outside Gerardo Ortiz and a couple others, even the most popular norteño music remains unknown to most of the U.S. music-buying public.
Continue reading “Major Corrideros: Enigma Norteño, Lenin Ramírez, & El Komander (AGAIN)”

La Buena, La Mala, y Las Feas

Joan-Sebastian

NorteñoBlog went on vacation at the worst possible time, because while I was gone, IT ALL WENT DOWN. Not with the music. Except for El Komander (¡VALE LA PENA!), very few notable albums came out in the past few weeks; we’ll catch up with albums and singles in the coming days. No, I’m talking about las personas en las noticias:

LA BUENA:

Joan Sebastian’s discography is a mile long. The singer, songwriter, and guitarist not only wrote over a thousand songs, from ranchera to synthpop, but he wrote and produced entire albums for other singers. This is how NorteñoBlog has encountered him in the past: as the man behind Vicente Fernandez’s irresistible “Estos Celos” and Graciela Beltrán’s “Robame Un Beso.” Sebastian was famously “el poeta del pueblo,” riding his horse on stage and representing for his gente, and that meant giving the people what they wanted, mixing up regional styles with pop sounds from El Norte and acting in the novela Tú y Yo. And then there’s this delightful factoid about the man born José Manuel Figueroa:

Mr. Sebastian’s Facebook page says that he changed his name to Juan Sebastian in 1977, and that he turned the “u” in “Juan” into an “o” on the advice of his sister, a numerologist.

Maybe a commenter can explain how that math works?

I’m still catching up with him, and probably will be for a long time. RIP

Also while we were gone, Banda El Recodo became the first banda to play on Spanish TV. If I’m surprised they hadn’t done so already, does that reveal my cultural chauvinism? This is just more evidence that the term “Latin music” makes absolutely no sense as a genre, because it tells us nothing useful about the music in question, what it sounds like, or who listens to it. Surely somewhere in the world, someone is lumping together Wiley and George Jones as “English music” — but that doesn’t make the idea any less nonsense.

LA MAL:

Put on your corrido-writing pants, it’s time for an update on El Chapo!

But the music production and distribution business has changed dramatically since El Chapo’s last escape [in 2001] — meaning times have changed on the narco-corrido front, as well. Forget six months; within six hours, bands and singers had rushed songs of El Chapo’s second escape onto YouTube and FaceBook. By Sunday afternoon, bands were recording their just-written Chapo tunes in the studio, playing the songs in front of enthusiastic live audiences and releasing elaborate videos with news coverage interspersed with dramatic reenactments of the tunnel escape.

Here are Los Alegres del Barranco:

These corridos are mostly gleeful, because El Chapo is now even LARGER than larger than life, and because of the Mexican government’s uncanny resemblance to Keystone Cops.

This musical expression points bluntly to collusion and to Mexico’s failure to run a government of law and order.

As many analysts have pointed out, the escape is a major embarrassment for President Enrique Peña Nieto, who in an interview with Univision after El Chapo was captured, said that allowing another escape would be “unforgivable.”

There’s also a Frontline documentary on El Chapo, if you’re so inclined, and Cartel Land, a documentary about the autodefensas and their less defensible U.S. counterparts, the border yahoos militias. NorteñoBlog has seen neither, but I’ll report back.

EL FEO:

Desfile de Éxitos 6/13/15

pitbull-and-gerardo-ortiz-picture

When Pitbull someday releases a career-spanning greatest hits album, it’ll be a monster. He’s got one hits album already: 2012’s Original Hits compiled his early stuff from TVT records and it looks good (I confess I haven’t heard all the songs), but since he released it in the midst of the Planet Pit/Voli Vodka world takeover, most of the world outside the 305 area code overlooked it. NorteñoBlog doesn’t often cover Pitbull because he has about as much to do with regional Mexican music as Rita Moreno does. (I confess I have even LESS of a connection to the format, but here we are.) But since he is possibly the most charming man on the planet — he needs to be loved slightly more than everybody else does — I will share my theory of Pitbull hits:

There are two tiers of Pitbull hits. The top tier includes such monster EDM smashes as “Timber,” “Give Me Everything,” and “Time of Our Lives,” and these songs are pretty good, just as the Planet Pit album was pretty good. That’s disc one of our hypothetical career spanning compilation. But the second tier, our hypothetical disc two of smaller hits… THAT’S where Pitbull hides his gold. I’m talking stuff like last year’s #23 hit “Fireball,” his astounding Ying Yang Twins feature “Shake” (included on Original Hits), 2010’s phenomenal, bilingual, featuring-Lil-Jon-and-everybody “Watagatapitusberry,” and the Pick to Click that climbs this week to #25 on Hot Latin, “El Taxi” featuring Sensato & Cuban oral sex freedom fighter Osmani Garcia. (“Chupi Chupi” was the too sexy song in question.) It’s really Garcia’s song — he originally received top billing and it’s more than a year old at this point, with 111 million Youtube views, but I assume it’ll appear on Pit’s forthcoming Spanish album Dale. “El Taxi” is lowdown and slinky. It features car horns beeping. I mean, come on.

Continue reading “Desfile de Éxitos 6/13/15”

Desfile de Éxitos 5/16/15

leandro-rios-2

The charts, and thus NorteñoBlog’s life, are in tumult this week. This is a good thing! Though of course, just looking at the top 10, you might be fooled into thinking the chart remains a tepid pool of stagnancy and age. King Romeo’s blockbuster hit is closing in on two years of proposing indecencies to its poor neighbors, one of whom happens to be King Romeo’s NEW blockbuster hit. (“Propuesta Indecente” has always been at war with “Hilito”?) And yes, the Julión Álvarez ballad going top 10 on Billboard‘s Hot Latin chart is some weak sofrito — but, on the other hand, it’s Julión Álvarez. NorteñoBlog likes him. Just a week ago, he dropped the official video for “El Amor De Su Vida,” and already it’s got three and a half million views. I won’t begrudge him his success with necking music, and I encourage him to release “El Aferrado” as a single cuanto antes.

Further down the list, things get more interesting. Ariel Camacho’s “Te Metiste” is up to #14 overall and #12 on Regional Mexican airplay; not bad for a posthumous ballad played by a sparse, deliberative trio configuration used by nobody else on the radio. El Komander’s “Malditas Ganas” continues to climb, and two songs that are new to the overall list — Enigma Norteño’s racing quartet tune “Calla Y Me Besas” and La Séptima Banda’s swanky, Tower of Power-ish “Bonito Y Bello” — bring as much energy as the songs they replace. Down on the Regional Mexican airplay chart, Recodo’s “Mi Vicio Más Grande” is their skippiest hit in who knows how long.

The Pick to Click is another one that’s new to the airplay chart: “Debajo Del Sombrero” by Leandro Rios ft. Pancho Uresti, whose new career seems to be guesting on everyone else’s songs. It’s two guys talking big to the father of their beloved, trying to convince him their humble ranchera ways render them worthy of his daughter’s affection. It also takes as much pleasure in the act of rhyming as any random song by Sondheim. Although, going through my Spanish rudiments, I’m disappointed the song doesn’t take place in enero, and why doesn’t our heroic caballero own a perro?

These are the top 25 Hot Latin Songs and top 20 Regional Mexican Songs, courtesy Billboard, as published May 16.

1. “El Perdón” – Nicky Jam & Enrique Iglesias
2. “Ay Vamos” – J Balvin
3. “Propuesta Indecente” – Romeo Santos (93 WEEKS OLD)
4. “Hilito” – Romeo Santos
5. “Hablame de Ti” – Banda MS (#2 RegMex) (snoooooozzzzzz)
6. “Contigo” – Calibre 50 (#1 RegMex)
7. “Travesuras” – Nicky Jam
8. “Fanatica Sensual” – Plan B
9. “Mi Verdad” – Maná ft. Shakira
10. “El Amor De Su Vida” – Julión Álvarez y Su Norteño Banda (#3 RegMex)

11. “Nota de Amor” – Wisin + Carlos Vives ft. Daddy Yankee
12. “Sigueme y Te Sigo” – Daddy Yankee
13. “Me Sobrabas Tu” – Banda Los Recoditos (#6 RegMex)
14. “Te Metiste” – Ariel Camacho y Los Plebes del Rancho (#12 RegMex)
15. “Pierdo la Cabeza” – Zion & Lennox
16. “Solita” – Prince Royce
17. “Malditas Ganas” – El Komander (#7 RegMex)
18. “Lejos De Aqui” – Farruko
19. “El Que Se Enamora Pierde” – Banda Carnaval (#5 RegMex)
20. “Dime” – Julión Álvarez y Su Norteño Banda (#14 RegMex)

21. “Un Zombie A La Intemperie” – Alejandro Sanz
22. “Calla y Me Besas” – Enigma Norteña (#4 RegMex)
23. “Inocente” – Romeo Santos
24. “Perdido En Tus Ojos” – Don Omar ft. Natti Natasha
25. “Bonito Y Bello” – La Septima Banda (#10 RegMex)

¡Adios!
“Juntos (Together)” – Juanes
—————–

8. “Levantando Polvadera” – Voz De Mando
9. “Soltero Disponible” – Regulo Caro

11. “Que Aun Te Amo” – Pesado
13. “Si Te Vuelvo a Ver” – La Maquinaria Norteña
14. “Como Tu No Hay Dos” – Los Huracanes del Norte
15. “Cuando La Miro” – Luis Coronel
16. “Mayor De Edad” – La Original Banda El Limón
17. “Que Tal Si Eres Tu” – Los Tigres Del Norte
18. “Mi Vicio Más Grande” – Banda El Recodo
19. “Debajo Del Sombrero” – Leandro Rios ft. Pancho Uresti
20. “El Quesito” – Omar Ruiz”

¡Adios!
“Todo Tuyo” – Banda El Recodo
“Se Me Sigue Notando” – Chuy Lizarraga y Su Banda Tierra Sinaloense
“Eres Tú” – Proyecto X
“Lo Hiciste Otra Vez” – La Arrolladora Banda El Limón
“Qué Tiene De Malo” – Calibre 50 ft. El Komander

Desfile de Éxitos 4/11/15

enigma norteno

And there dawned upon the world a new era of peace and prosperity, laps filled with cats and pockets filled with frozen burritos, the sun shining all the time even at night as the world realized that, not only was Enrique Iglesias’s “Bailando” no longer #1, it was actually NOWHERE IN THE TOP 25. Do you understand what this means??? “Bailando” is no longer at war with “Propuesta Indecente.” In fact, “Bailando” has NEVER been at war with “Propuesta Indecente.” Maybe the word “contigo” doesn’t even exist, who knows? Don’t ask questions!

Despair sets in as two ugly truths also dawn upon the world:

1) This means “Propuesta Indecente” won, and IT’S STILL #3 AFTER 88 WEEKS.
2) The current #1, Nicky Jam’s “El Perdon,” features both Enrique and the same chord progression as “Bailando.”

And the world suddenly realizes it’s trapped inside an unusually danceable episode of The Twilight Zone (Gente de Zona de Penumbra?) and contemplates retiring to either an underground bunker or an airplane at 20,000 feet, because at least the world knows how those scenarios will play out. Not only is “El Perdon” #1 for the fourth week, Billboard reports it had the second best week ever on the Latin streaming chart, with 2.8 million U.S. clicks. (Which song had the best week ever? Here’s a hint: it wants to click contigo…) But it’s not just streaming; “El Perdon” is popular across the metrics:

“Perdon” stands atop the Latin Airplay chart for a third week (10.9 million audience impressions, up 5 percent) and climbs 2-1 on Latin Digital Songs (up 50 percent to 11,000 downloads), notching Jam his first digital chart-topper and Iglesias his fourth. All this action lands “Perdon” a No. 66 debut on the Hot 100, the highest rank for a Spanish-dominant title on the list since “Odio” by Romeo Santos featuring Drake peaked at No. 45 on the chart dated Feb. 15, 2014. “Perdon” is also Jam’s first Hot 100 hit.

In other news, Julión Álvarez’s unexciting but still listenable Aferrado is the #1 Latin album with 6,000 sold. I tried again with “El Amor de Su Vida,” now #24 on Hot Latin, and the best I can say is it’s unexciting but still listenable.

More exciting is the song climbing at #7 on the Regional Mexican airplay chart, Enigma Norteño’s “Calla Y Me Besas.” Thanks to some hot accordion work and tight band interplay, the song has grown on NorteñoBlog and is today’s Pick to Click:

These are the top 25 Hot Latin Songs and top 20 Regional Mexican Songs, courtesy Billboard, as published April 11.

1. “El Perdon” – Nicky Jam & Enrique Iglesias
2. “Ay Vamos” – J Balvin
3. “Propuesta Indecente” – Romeo Santos (88 WEEKS OLD)
4. “Hablame de Ti” – Banda MS (#2 RegMex) (snoooooozzzzzz)
5. “Contigo” – Calibre 50 (#1 RegMex)
6. “Travesuras” – Nicky Jam
7. “Mi Verdad” – Maná ft. Shakira
8. “Hilito” – Romeo Santos
9. “Yo También” – Romeo Santos ft. Marc Anthony
10. “Fanatica Sensual” – Plan B

11. “Nota de Amor” – Wisin + Carlos Vives ft. Daddy Yankee
12. “El Karma” – Ariel Camacho y Los Plebes del Rancho (#11 RegMex)
13. “Qué Tiene De Malo” – Calibre 50 ft. El Komander (#18 RegMex)
14. “Soltero Disponible” – Regulo Caro (#3 RegMex)
15. “Pierdo la Cabeza” – Zion & Lennox
16. “Eres Una Niña” – Gerardo Ortíz (#13 RegMex)
17. “Dime” – Julión Álvarez y Su Norteño Banda (#9 RegMex)
18. “Juntos (Together)” – Juanes
19. “Me Sobrabas Tu” – Banda Los Recoditos (#15 RegMex)
20. “Lo Hiciste Otra Vez” – La Arrolladora Banda El Limón (#5 RegMex) (Oh dear, this is not good. Not just sap — meandering sap.)

21. “Sigueme y Te Sigo” – Daddy Yankee
22. “Lejos De Aqui” – Farruko
23. “Disparo Al Corazon” – Ricky Martin
24. “El Amor De Su Vida” – Julión Álvarez y Su Norteño Banda (#14 RegMex)
25. “El Que Se Enamora Pierde” – Banda Carnaval (#4 RegMex)

¡Adios!
“Piensas (Dile La Verdad)” – Pitbull ft. Gente de Zona
“Bailando” – Enrique ft. Descemer Bueno, Gente de Zona, & the word “contigo” (52 WEEKS OLD! “Feliz cumpleaños contigo…”)
“Mi Vuelvo Un Cobarde” – Christian Daniel
—————–

6. “Levantando Polvadera” – Voz De Mando
7. “Calla y Me Besas” – Enigma Norteña
8. “Eres Tú” – Proyecto X
10. “Que Aun Te Amo” – Pesado

12. “Se Me Sigue Notando” – Chuy Lizarraga y Su Banda Tierra Sinaloense
16. “No Te Vayas” – Fidel Rueda
17. “Si Te Vuelvo a Ver” – La Maquinaria Norteña
18. “Todo Tuyo” – Banda El Recodo
19. “Cuando La Miro” – Luis Coronel
20. “Bonito Y Bello” – La Septima Banda

¡Adios!
“Mi Primera Vez” – Jonatan Sánchez
“Mi Princesa” – Remmy Valenzuela

Desfile de Éxitos 3/14/15

keep-calm-and-listen-ariel-camacho

The Hot Latin chart has its fourth #1 in as many weeks. It’s a fatalistic tuba and guitar corrido by a man who just died. This is unusual; but then, the concept of “normalcy” never really applies in the wake of death.

“El Karma” was Ariel Camacho’s first charting single, peaking at #16 on Hot Latin, which is why many news sources linked to it in the wake of his fatal car accident last week. Now it’s destined to remain his signature song. It’s also the first regional Mexican song to top the overall Hot Latin chart since 3BallMTY’s “Inténtalo,” if we’re counting electro-cumbias, or Arrolladora’s “Niña de Mi Corazon” if we’re not. This is mostly due to an increase in streaming and sales — but also, it was a slow week. Hot Latin compiles its tally from a top secret mix of digital sales, streams, and radio airplay. Below I’ve listed (as well as I could find) the tallies from the last four Hot Latin #1s, in the weeks that they reached the top. (Can you use the principles of detection to triangulate Billboard‘s top secret formula?)

“El Karma” – Ariel Camacho
3,000 downloads (#7 Latin Digital Songs)
1.9 million streams
4.8 million audience impressions (#9 Regional Mexican Songs)
(Note that Ricky Martin’s “Disparo Al Corazon” is #1 Latin Airplay with 10.2 million impressions.)

“Ay Vamos” – J Balvin
5,000 downloads (#4 Latin Digital Songs)
?? streams
7.7 million audience impressions (#2 Latin Rhythm Airplay)

“Mi Verdad” – Maná ft. Shakira
14,000 downloads (#1 Latin Digital Songs)
?? streams (10 million-ish worldwide; not sure how many of these count)
10 million audience impressions (#1 Latin Airplay)

“Bailando” – Enrique Iglesias ft. Descemer Bueno, Gente de Zona, & the word “contigo” (May 7, 2014, its first week at #1)
13,000 downloads (#1 Latin Digital Songs)
?? streams (27 million views over four weeks; #1 Latin Streaming Songs)
9.5 million audience impressions (#5 Latin Airplay)

As you can see, “El Karma” lags behind the other three in sales and radio play, and fewer people seemed to stream it than they did “Mi Verdad” or “Bailando.” I’m surprised “El Karma” streamed so little, actually, but look — it was just a really slow week. “El Karma” was the only new song in the top 25, and except for it and “El Perdon,” the top 10 looks basically the same as it did two weeks ago. Some of these songs are oooooold. (“Bailando” has always been at war with “Propuesta Indecente.”) The Regional Mexican airplay chart, where “El Karma” climbed back to #9, isn’t much better: new songs by Recodo and Enigma Norteña round out the bottom of the list. Pesado’s new-ish “Que Aun Te Amo” is good ol’ bouncy country, but if you haven’t listened to “El Karma” yet, you owe it to yourself.

These are the top 25 Hot Latin Songs and top 20 Regional Mexican Songs, courtesy Billboard, as published March 14.

1. “El Karma” – Ariel Camacho y Los Plebes del Rancho (#9 RegMex)
2. “Bailando” – Enrique ft. Descemer Bueno, Gente de Zona, & the word “contigo” (I’M 50! 50 WEEKS OLD!)
3. “Ay Vamos” – J Balvin
4. “Propuesta Indecente” – Romeo Santos (84 WEEKS OLD)
5. “Mi Verdad” – Maná ft. Shakira
6. “El Perdon” – Nicky Jam & Enrique Iglesias
7. “Yo También” – Romeo Santos ft. Marc Anthony
8. “Hablame de Ti” – Banda MS (#12 RegMex) (snoooooozzzzzz)
9. “Travesuras” – Nicky Jam
10. “Eres Mia” – Romeo Santos (51 WEEKS OLD)

11. “Juntos (Together)” – Juanes
12. “Disparo Al Corazon” – Ricky Martin
13. “Lejos De Aqui” – Farruko
14. “Contigo” – Calibre 50 (#10 RegMex)
15. “Hilito” – Romeo Santos
16. “Eres Una Niña” – Gerardo Ortíz (#8 RegMex)
17. “Piensas (Dile La Verdad)” – Pitbull ft. Gente de Zona
18. “Dime” – Julión Álvarez y Su Norteño Banda (#5 RegMex)
19. “Soltero Disponible” – Regulo Caro (#2 RegMex)
20. “Levantando Polvadera” – Voz De Mando (#1 RegMex)

21. “Qué Tiene De Malo” – Calibre 50 ft. El Komander (#18 RegMex)
22. “Fanatica Sensual” – Plan B
23. “Mi Vuelvo Un Cobarde” – Christian Daniel
24. “Lo Hiciste Otra Vez” – La Arrolladora Banda El Limón (#3 RegMex) (Oh dear, this is not good. Not just sap — meandering sap.)
25. “Mi Princesa” – Remmy Valenzuela (#13 RegMex)

¡Adios!
“Adios” – Ricky Martin (BACK FROM TO THE DEAD THIRTIES DEAD)

—————–

4. “Eres Tú” – Proyecto X
6. “No Te Vayas” – Fidel Rueda
7. “El Que Se Enamora Pierde” – Banda Carnaval

11. “Mi Primera Vez” – Jonatan Sánchez
14. “Se Me Sigue Notando” – Chuy Lizarraga y Su Banda Tierra Sinaloense
15. “Entonces Que Somos” – Banda El Recodo (A nada Luciano Luna ballad off Recodo’s 2013 album, now turned into a dramatic short film.)
16. “Que Aun Te Amo” – Pesado
17. “Y Vete Olvidando” – Javier Rosas
19. “Todo Tuyo” – Banda El Recodo
20. “Calla y Me Besas” – Enigma Norteña

¡Adios!
“El Amor de Nosotros” – Duelo
“Javier El de Los Llanos” – Calibre 50

Who’s On the Mexican Radio? 2/27/15

americasierra_porqueelamormanda

Stasis sets in on the Mexican radio chart, with the top eight songs simply shuffling among themselves. Even the lower reaches contain only three new entries this week, but all three fill important niches. In the “boring banda ballad” spot, La Adictiva Banda replaces La Original Banda. Banda la Trakalosa replaces Gerardo Ortiz in the “actually good banda ballad” spot with their high-camp “Adicto a La Tristeza,” a previous Pick to Click. And the new “fast norteño quartet song” is from songwriter to the stars America Sierra, whose “Ponte Las Pilas” replaces Diego Herrera. Herrera’s song may have been a tad better, but only because he got Banda Los Gfez to play on it.

In other news, the Los Tigres song at #1 this week sounds better every time I hear it.

There’s even less action over at Billboard, although J Balvin finally gets a #1 hit with the 25-week-old “Ay Vamos,” and Enigma Norteño enters the Regional Mexican chart with the spry “Calla Y Me Besas.” That’s three hot Latin #1s in as many weeks! I’m scratching away at my dry skin with excitement.

These are the Top 20 “Popular” songs in Mexico, as measured by radioNOTAS. Don’t confuse “Popular” with the “General” list, which contains many of the same songs but also “Uptown Funk!”, “Blank Space,” and the ABBA-schlager of Natalia Jiménez.

1. “Que Tal Si Eres Tu” – Los Tigres Del Norte
2. “Contigo” – Calibre 50
3. “Culpable Fui (Culpable Soy)” – Intocable
4. “Todo Tuyo” – Banda El Recodo
5. “A Lo Mejor” – Banda MS
6. “Me Sobrabas Tu” – Banda Los Recoditos
7. “Que Aun Te Amo” – Pesado
8. “Malditas Ganas” – Alfredo Rios El Komander
9. “No Fue Necesario” – El Bebeto
10. “Después de Ti ¿Quién?” – La Adictiva Banda San Jose

11. “Si Tuviera Que Decirlo” – Pedro Fernandez
12. “Lo Hiciste Otra Vez” – Arrolladora
13. “Sencillamente” – Raúl y Mexia + SuenaTron
14. “Escuchame” – Fidel Rueda
15. “El Que Se Enamora Pierde” – Banda Carnaval
16. “Perdi La Pose” – Espinoza Paz
17. “Me Importas” – Los Primos MX
18. “Ponte Las Pilas” – America Sierra
19. “Adicto a la Tristeza” – Banda La Trakalosa ft. Pancho Uresti
20. “Tiene Espinas El Rosal” – Grupo Cañaveral De Humberto Pabón ft. Jenny and the Mexicats

¡Adios!
“Es Todo Un Placer” – Diego Herrera ft. Los Gfez
“Mayor De Edad” – La Original Banda el Limón
“Eres Una Niña” – Gerardo Ortiz

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