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La Arrolladora Banda El Limón

Who’s On the Mexican Radio? 11/22/17

espinoza

Welcome back to Songwriters’ Showcase, a not-at-all regular feature in which NorteñoBlog tries to muster some interest in the new songs on the Mexican radio chart, falls asleep in an office chair, and wakes up to find both lap cat and left foot asleep. Unable to move, the Blog faces two choices: pay bills or figure out who wrote the songs. The Blog chooses the marginally less depressing option.

tiempo recoditosAt #15 we find “Tiempo,” a romantic Banda Los Recoditos ballad written by Joss Favela, who’s capable of far more interesting work, both on his own and as a writer for hire. Here he depicts a lovelorn hombre begging a bored mujer for more time together. Their amor no ha terminado, you see, and he’s still got kisses on his labios, kisses that siguen esperando. We can only hope for an answer song where she curtly provides him with a rhyming dictionary.
NO VALE LA PENA

More labios haunt “Será Que Estoy Enamorado,” the latest sierreño-by-numbers ballad for Los Plebes del Rancho de Ariel Camacho, in at #8. Los Plebes, you’ll remember, left the late Camacho’s DEL Records hurling charges of “explotación.” They now record for indie label JG, where apparently they no longer have to credit their songwriters, because I can’t find a name associated with this thing anywhere. On the other hand, would you really want credit for this halfhearted attempt at tremulous amor? José Manuel López Castro’s affectless singing, sometimes an asset, just sounds bored, and even Irael Meza’s tuba sounds like it’s slinking towards the exit sign.
NO VALE LA PENA

espinoza paz chinguesAt #5 is the latest lost-love mariachi ballad from former baby-faced banda singer El Bebeto, “Seremos.” It was written and produced by Espinoza Paz, who has his own lost-love mariachi ballad, “No Me Friegues la Vida,” down at #14. In this case, Paz has wisely saved his best material for himself. “Seremos” is fine, a bittersweet and passive-aggressive “you’re gonna miss me” song, but there’s nothing passive about “No Me Friegues,” except that it really really would like to be called “No Me Chingues” if that wasn’t sure to chinga its airplay. (Recall Octavio Paz, no relation: “[Chingar] is a magical word.”) Besides being a good-humored cabron, Paz is a talented producer, and both these songs sound like breaths of fresh ranchera air, even incorporating accordion into their horn-and-string textures. Not sure whether he’s trying to bite Christian Nodal‘s “mariacheño” gimmick — but in any case, “No Me Chingues” is this week’s Pick to Click. The stately-smutty contrast puts it over the top.


Continue reading “Who’s On the Mexican Radio? 11/22/17”

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La Impersistencia de la Memoria (Who’s On the Mexican Radio? 5/22/17)

chayinRubiotopradio

Forgetting has a long and proud history in pop music, from Elvis’s “I Forgot to Remember to Forget,” to Shakira chirping “Can’t Remember to Forget You,” to Robin Thicke having no idea how he wrote “Blurred Lines.” In country music alone, NorteñoBlog has forgotten hundreds of songs about singers’ misguided attempts to grapple with the past by flooding their temporal lobes with alcohol. So the recent appearance of four or five(!) simultaneous Mexican hits about forgetfulness doesn’t necessitate much more than an exclamation point. Yet here we go…

(Treat the blog nice, or I’ll remember to turn this into a full-fledged thinkpiece about how banda forgetfulness channels Paz’s Dialectic of Solitude or some shit.)

Banda El Recodo De Cruz Lizarraga - Me Prometí OlvidarteFirst up! The oldest of the four comes from the venerable Banda El Recodo, doing Edgar Barrera and Martin Castro’s midtempo waltz “Me Prometí Olvidarte.” Turns out that, after we collectively cheated on Banda El Recodo and destroyed their collective heart into a thousand pieces, they promised to forget us. Guess how that worked out. They forgot us so thoroughly they commissioned a song about how thoroughly they forgot us! I blame our world class gams. This song is mid-tier Recodo, fairly trad with the polished spit sheen of expert arranging and recording. But our gams demand more than mere professional competence, do they not? NO VALE LA PENA

Julión Álvarez Y Su Norteño Banda - Esta Noche Se Me Olvida-300x300Next oldest is from the man blessed with the continent’s best voice, Julión Álvarez, whose “Esta Noche Se Me Olvida” is a slow banda ballad from Calibre 50’s Edén Muñoz and relative newcomer Gussy Lau. You, faithless lover, have driven Álvarez to drink, that he might forget your kisses. Why would you choke that beautiful scratchy warble on alcohol and tears? The video portrays our hero playing to throngs of adoring fans at an outdoor concert, cementing his status as the biggest norteño star outside Gerardo Ortiz, but this middling ballad isn’t getting me excited for Álvarez’s forthcoming album, Ni Diablo, Ni Santo, due out Friday. NO VALE LA PENA.

arrolladoraWe turn to our next victims of love’s cruel dementia, La Arrolladora Banda, who know how to kick out the slow jams, some of which are really good. Continue reading “La Impersistencia de la Memoria (Who’s On the Mexican Radio? 5/22/17)”

Who’s On the Mexican Radio? (1/27/17)

christian-nodal-bigWelcome to the Mexican radio charts*: Changing quicker than Mexican-American diplomatic relations! More exciting than the Doomsday Clock! Not even half the existential threat of those stupid made-up islands in the South China Sea!

NorteñoBlog is pleased to note that, since we last checked in, we get to enjoy nine new songs. Two are straight-up replacements for the better:

At #13, La Arrolladora Banda swaps its slow jam “Yo Sí Te Amé” for the busy merengue-flavored “Traicionera”;

and at #2, the young hotshot accordion slinger Alfredo Olivas trades the decent bluesy norteño number “Seguramente” for the skippy deathbed meditation “El Paciente,” con banda. He even works in a shoutout to the mythic Catarino, a corrido legend who fought in the Revolution and healed his wounds with his own saliva. Alfredito doesn’t fare as well in the song, but the Blog is looking forward to his next, apparently posthumous album. Pick to Click!

Continue reading “Who’s On the Mexican Radio? (1/27/17)”

Who’s On the Mexican Radio? 8/26/16

beto zapata

Much has changed on the Mexican airwaves since NorteñoBlog last tuned in over a month ago. The former #1 song, a heartbroken sob story of romantic grief and brassy bereftitude by Arrolladora, has given way to a different heartbroken sob story of romantic grief and brassy bereftitude, this time by Banda MS. And everyone knows that Arrolladora ballads are ace slow jams with rhythm sections full of coiled tension, while MS ballads drip like the discharge from festering sores. It’s all there in the music!

dos monedasFurther down, two Remex Records acts have replaced themselves on the radio with remakes. The more notable is ace flarer-of-nostrils Edwin Luna and his banda of second fiddlers, La Trakalosa. Given our troubled and uncertain times on both sides of the Great Wall of Trump, NorteñoBlog finds comfort in watching Luna grimace his way through another extravagant video meant to highlight his perennially nascent acting chops. (He acts in both color and black and white!) No hay nada nuevo bajo el sol. “Dos Monedas” was previously a hit for Ramón Ayala, and it was written by Jesse Armenta — You know him! He wrote some political barnburners for Los Tigres, including “El Circo,” thus winning himself a chapter in the book Narcocorrido — and it’s another heartbroken sob story.

Only this sob story is not at all romantic; it’s closer to “The Christmas Shoes” or some shit. The narrator is an abusive drunk. One cold and wintry night he sends his son out to beg for money to support the family booze fund. The next morning he opens the door to find sonny boy dead, both frozen and starved, holding in his small frozen starved hands the “dos monedas” of the title. All our children should be so dedicated! The narrator, no fool, sees a moral in this story, as does Edwin Luna, whose unconvincing portrayal of the drunk ends by approximating sadness. But Luna over-emotes his songs like nobody else, a good thing, and the arrangement makes this the cheeriest tune about filicide since “Sweet Child O’ Mine.” ¡VALE LA PENA! Continue reading “Who’s On the Mexican Radio? 8/26/16”

Archivos de 2001: Los Twiins Break Through

los twiins

Lovelorn bounces and classic fanfares, old hats and new jacks, and early work by one of the most influential production duos of the past two decades, any genre: these were Billboard‘s top 10 Regional Mexican songs on May 19, 2001.

1. “No Te Podias Quedar”Conjunto Primavera (#4 Hot Latin)
The pride of Ojinaga, the gas-guzzling romantics of the road, Primavera scored their fifth Hot Latin top 10 with this soppy contribution from their go-to songwriter Jesús Guillén. Sometimes songwriters just find a niche, and Guillén was put on this earth to write soaring climaxes for the cavernous throat of Tony Melendez, the continent’s best singer before Primavera’s output dropped off and Julión Álvarez came along. The song itself barely exists.

2. “Y Llegaste Tú”Banda El Recodo (#6 Hot Latin)
In 2001, after 60 years of playing brass band shows to adoring but limited audiences, Recodo was enjoying the public’s newfound vogue for banda music and their first gold album. A couple years earlier, they’d begun hiring producer brothers Adolfo and Omar Valenzuela, aka Los Twiins, aka the bankrollers of El Movimiento Alterado later in the decade. (El Komander still records for them.) The brothers had their identical fingers on the pulse of the youth, and in this song they led Recodo toward a sound that blanketed the airwaves all year, and then for years afterward — a newly written Noel Hernandez song that sounded trad yet vibrant, with a arrangement that turned contrasting instrumental sections into hooks. Plus, “We’ve learned how to really tune the banda,” said Omar, “which [in the past] maybe wasn’t really done.” Progress! Pick to Click!

los tigres paisano3. “Me Declaro Culpable”Los Tigres del Norte (#13 Hot Latin)
Sad limericks of lost love — with sax! Continue reading “Archivos de 2001: Los Twiins Break Through”

Desfile de Éxitos 5/21/16

Daddy-Yankee-Cortada1

It’d be hard to top last week’s spate of three-count-’em-three norteño debuts on the Hot Latin chart, including new songs from Arrolladora (this week at #28), Los Gfez (#36), and Hijos de Barrón (#47). But if you enjoy boring banda ballads, Norteñoblog has just the songs for you!

At #29, the week’s highest debut of any genre comes from Banda MS and their song “Me Vas a Extrañar,” which has been waltzing its sad tale of love gone wrong across Mexico for a couple weeks. Banda MS continues to be wildly, inexplicably popular. Their earlier hit “Solo Con Verte” just notched its 26th week on the U.S. Hot Latin chart, with no sign of slowing down: it’s still at #4, and this week it boasts the biggest gains in streams and digital sales. After half a year! I mean, as boring banda ballads go, “Solo Con Verte” is decent, but that’s sort of like calling John Kasich the standout candidate in the most recent Republican presidential primary. The field was not exactly an embarrassment of riches. (Other kinds of embarrassment, definitely.) But this comparison might be inapposite anyway, because John Kasich’s YouTube numbers are way below Banda MS’s.

At #48, the second banda debut is the title waltz from Recoditos’ latest album Me Está Gustando. Sung by Samuel Sarmiento, its video features not one but two inappropriate workplace romances and the band’s other lead vocalist, Luis Angel Franco, wearing a construction helmet. Sharpen those slash fiction pencils!

The debuts on the Regional Mexican radio chart are a little better. Continue reading “Desfile de Éxitos 5/21/16”

Who’s On the Mexican Radio? 5/3/16

bien servida

Welcome to the Mexican charts, where change, as my cosmetic podiatrist likes to say, is afoot. Although it’s been several weeks since NorteñoBlog tuned in to the Mexican radio, the rate of turnover feels much quicker there than in El Norte. For example, check out the norteño and banda songs that have been hanging around the charts the longest:

U.S. Hot Latin:
#19 – “Ya Te Perdí La Fe” by Arrolladora, 26 weeks
#4 – “Solo Con Verte” by Banda MS, 25 weeks
#13 – “Broche de Oro” by Trakalosa, 24 weeks
#14 – “Tomen Nota” by Adriel Favela ft. Los Del Arroyo, 20 weeks
#19 – “DEL Negociante” by Los Plebes del Rancho de Ariel Camacho, 20 weeks

Mexican Popular:
#8 – “Tragos de Alcohol” by El Komander, 14 semanas
#13 – “Préstamela a Mí” by Calibre 50, 14 semanas
#17 – “El Borrachito” by Julión Álvarez, 14 semanas
#7 – “Espero Con Ansias” by Remmy Valenzuela, 13 semanas
#12 – “María” by Pepe Aguilar, 11 semanas

I know what you’re thinking: the Mexican list is way better, and not just because you’re sick of all the U.S. songs after five months! You’re right, but that quality judgment is probably just a coincidence. (And one that doesn’t account for NorteñoBlog’s fave wristwatch porn jam “Tomen Nota.”) You might also be thinking these two charts aren’t equivalent, because Hot Latin measures radio plus streams plus downloads, whereas the Mexican Popular chart only measures radio. Verdadero; but if you check out Billboard‘s radio-only Regional Mexican chart, the U.S. songs have charted for roughly the same amount of time, give or take a week, plus you find Adictiva’s certified 37-weeker “Después de Ti, ¿Quién?”, a real tantric filibuster. Continue reading “Who’s On the Mexican Radio? 5/3/16”

Desfile de Éxitos 4/9/16

los titanes

NorteñoBlog returned from Easter break to a special treat — and no, I’m not talking about the controversial, NSPT “Fuiste Mia” video where Gerardo Ortiz catches his mujer with another dude, shoots the dude, helps said mujer into the trunk of his car, and then lights the car on fire. If you’re thinking, “That sounds like a 15-year-old Eminem song” — you’re right! It’s basically the plot of “Kim” (and, to a lesser extent, “Stan”), only none of that drama actually occurs in the lyrics of “Fuiste Mia,” itself an anodyne but pretty obsession anthem. This video raises complex moral questions. Is depicting femicide in a music video more arbitrary, and therefore less defensible, than depicting the same crime in song? Is the “Fuiste Mia” video less hypocritical, and therefore more defensible, than that Séptima video where the singer sells his cheating mujer into slavery, only to end with a Muy Especial message against “la trata de blancas”? NorteñoBlog will consult with our team of ethicists and get back to you approximately, oh, never.

You see, I’m too excited about this other treat: Billboard has expanded its website’s Hot Latin Songs chart from 25 songs to 50 songs! (I’m pretty sure it’s always 50 songs long in the magazine.) It’s too soon to tell whether this is a one-week oversight, a permanent change, or a joyful seasonal rite meant to commemorate the 50 days of Eastertide feasting. One thing I can tell: you’re not as excited as I am. Here’s why you should be.

1. More songs! Continue reading “Desfile de Éxitos 4/9/16”

Who’s On the Mexican Radio? 12/18/15

adictiva singers

Welcome to the Songwriters’ Showcase! In this exciting feature, NorteñoBlog attempts to bring interest to the boring love songs on the Mexican radio chart by pointing out who wrote the boring love songs! Eventually I lose interest in that too! (Please note: some non-boring songs also lie ahead.)

At number 10, Diego Herrera adds lush guitar to a banda ballad, or maybe vice versa, and pledges his fidelity and jealousy to a mujer he claims is a good kisser. The song’s by Joss Favela and Luciano Luna, the (collective?) Diane Warren of norteño music, and if you’ve heard one of their love songs you’ve heard “Si Te Enamoras De Mi,” but the guitar makes some difference.

Case in point: Banda El Recodo’s at number 6 with another Favela/Luna love song, “Si No Es Contigo.” (Watch for my forthcoming pamphlet on the role of fate and potential realities in the Favela/Luna songbook.) Even though Recodo’s tune is skippier than Herrera’s, you can easily imagine them slowing it down and turning it into a waltz. While we’re talking about Recodo, NorteñoBlog would like to congratulate them on their Grammy nomination in the category Best Regional Mexican Music Album (Including Tejano). Alternate parenthetical: (Stop Complaining, Noisy Tejano Voting Bloc). Continue reading “Who’s On the Mexican Radio? 12/18/15”

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