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Dueto Consentido

¡Nuevo! (starring La Séptima Banda, Bryndis, y más)

consentido

septima bandaThe members of La Séptima Banda have applied their fleet fingers to corridos, love songs (“Se Va Muriendo Mi Alma”), and stuff that sounds like Tower of Power playing the Sahara Tahoe (“Bonito y Bello”). They’re back with the 10-song A Todo Volumen (Fonovisa), which contains the first two options. The bouncy romance “Me Empezó A Valer” has already become a radio hit, and it’s not hard to imagine their stacked brass chords capping a weekend of Vegas debauchery. Even better is “A La Orden General,” their ode to the Guzman family, who I’m guessing have developed some Vegas acreage over the years. Side note: A Todo Volumen is also the Spanish title of that one Jack White/The Edge/Jimmy Page documentary, as well as Luis Coronel’s nickname for his latest hairdo.

bryndisAlso on Fonovisa and purportedly even more romantic, the formerly prolific hitmakers Grupo Bryndis have a new album of synth cumbias called A Nuestro Estilo. In its favor: a duet with Diana Reyes; a cover of a decade-old Diana Reyes song, “Celos”; a synthesizer sound that only sometimes reminds me of the guys selling pan flute CDs at the local craft fair. In its disfavor: plodding rhythms, pitch issues, and, yes, suffocating craft fair synth presets. Unlike duranguense bands, who speed along with the good sense to turn their chintzy synths into an ever-shifting kaleidoscope of wackness, the men of Bryndis mean to seduce. If you know what’s good for you, you’ll avoid eye contact and make a beeline for the Home Grown Honey tent.
NO VALE LA PENA

gallitosNot to be confused with the Tejano pop of Texas band Los Gallitos, the trio Los Gallitos de Chihuahua hails from the next state to the south and plays accordion-led Sierreño music. (Bassist, no tuba.) Their umpteenth album Soy de Rancho (Twiins) features corridos popularized by Los Alegres del Barranco, Tito Torbellino, Sergio Vega, and on the title song El Komander, though Los Gallitos’ take is much more polite than that of Sr. Ríos and his loosey-goose band. You don’t know how much you’ll miss tuba mouthpiece farts until they’re gone.
NO VALE LA PENA

dueto consentidoThe far more energetic Sierreño dudes Dueto Consentido have just released their second album, Cambio de Domicilio (AfinArte). As NorteñoBlog noted with their last album, Dueto Consentido is not a duo but a Sierreño trio, led by Joaquin Caro’s requinto guitar. (Bassist, no tuba — but Erik Lopez gets a fat sound.) Their name is a phrase that shows up in corridos from time to time. “Consentido” is a cartel term of art meaning a narco boss who operates with the favor and consent of the Mexican government. Not so sure about the “dueto” part — I guess they often come in pairs? The three musical Consentidos do their share of corridos — their ode to Iván Archivaldo Guzman flatters its subject with seriously hot licks — but they also branch out into charming songs of besos y amor, like “Dame Más”. Still, you can’t beat the snarling energy of the corrido “El Tigre,” where the guitars lock in and Lopez coaxes extremely cool tones from his axe’s growly bottom end.
Pick to Click!

Dueto Consentido photo by Nelssie Carillo

¡Nuevo!

duelo xmas

New this week:

Dueto Consentido – Con El Pie Derecho (Afinarte): From the same small label as Voz de Mando, this all-string trio plays corridos whose verses seem to ripple without end. Here they are performing “El Rolex” and “El Toro Encartado” live; the bajo sexto player, for one, is having a wonderful time. Informed readers could explain their band name, which doesn’t add up: they’ve got three members. “Dueto consentido” does show up as the last phrase of Rody Felix’s and/or Jesús Ojeda’s corrido “El Gringo,” and “consentido” may be some cartel term of art, but I don’t wanna presume.

Jenni Rivera – 1 Vida, 3 Historias (Fonovisa): Rivera’s latest posthumous release contains a live CD, a CD of friends and family covering her songs, and a DVD of interviews and performances. Side note: she just won the award for Artista Feminina Del Año at the Premios De La Radio, a people’s choice deal, for the fourth straight year.

Duelo – Navidad Desde El Meritito Norte (Duelo): Breezy, seems to meet the minimum threshold of competence for once-a-year music, occasionally sounds like watery Mavericks.

Espinoza Paz – “Si Amas a Dios”: Keyboard strings, real strings, judiciously placed horns, pounding drums, and Sr. Paz sounding like he could burst into tears any moment. He offers sound advice: For the love of God, don’t break open piñatas with your bloodstained guns. Stay alert and don’t shut out the world. He may be preaching to the choir — they come in at the chorus — but whatever, I kind of like it. Then again, my wife makes me listen to a lot of Josh Groban.

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