pancho barraza

Calibre 50 – “Contigo”: NorteñoBlog hasn’t yet discussed what a bad song this is. I’d call it “terrible” but that would imply some level of awe or achievement that’s completely lacking in the music. And what about that music? It sounds like a second-tier Maná power ballad, only without the power. As these guys must know, an accordion isn’t a lead guitar! In some cases it’s better than a lead guitar, but its attempts to sustain single notes sound like wheezes, so the whole song feels empty, a dried out husk of attempted passion. Of course it’s a huge hit, so what do I know?
NO VALE LA PENA

Vicente Fernández – “Estos Celos” (2007): A late career hit written, arranged, and produced by Joan Sebastian, who won the Latin Grammy for Best Regional Mexican Song. The strings and midtempo chug could be ’70s Glen Campbell, as could Fernández’s rue when he sings about his jealousy. His high notes should teach Nick Jonas something about chin music.
VALE LA PENA

Ariel Camacho y Los Plebes del Rancho – “El Karma”: NorteñoBlog has waxed about this song before. Basically, it sounds like nothing else on the radio, Camacho’s endless flutters of requinto deepening a murder ballad that’s cynical but cautionary, mythic but subversive, and coming to you direct from BEYOND THE GRAVE. (As near as I can tell, Camacho tries to kill his daughter’s kidnapper and gets killed himself, so Karma doesn’t work!) This is still the best version of the umpteen floating around. Here’s how I explained it to Frank Kogan, but I may be missing some nuance in how its audience hears it:

The song ends with the line, “nobody escapes the reaper.” Other versions of this song are speedy, either triumphal or drunken, performed by norteño quintet or banda. Camacho’s version is slower, stripped down to two guitars and a tuba, the fatalistic retelling of an old old story. Camacho’s version has become the hit version on regional Mexican radio, where it sounds like nothing else — it’s surrounded by sappy love songs and cheery trafficking songs. In early 2015 Camacho dies in a car wreck and “El Karma” hits #1 on Billboard’s overall Hot Latin chart, albeit during a slow week. (It’s the first norteño song to do so in years.) Possible social critique: this death we sing about so blithely deserves our respect.

VALE LA PENA

El Komander – “Malditas Ganas”: Loose, funny, talking as much as he sings — which is good, given his misguided attempts at balladry — Alfredo Rios defines charismatic. The word “charismatic” implies an apparent lack of effort, right?
VALE LA PENA

Pancho Barraza – “Ignoraste Mis Lagrimas” (1995): The cruel oompah of tears.
NO VALE LA PENA

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