recodo horns

Over at OC Weekly, Gustavo Arellano overrates the new album by Pepe Aguilar, No Lo Había Dicho (Equinoccio), calling it “an audacious mix of vallenato, pop, banda, and ranchera that lands more often than not.” NorteñoBlog respectfully disagrees with both value judgments expressed in that sentence.

In 2016, there’s nothing “audacious” about mixing up those styles of music — especially for Aguilar, who’s been doing so longer than his contemporary Beck, who made his reputation with purportedly audacious musical mixology back in the ’90s. (Who can forget the mariachi version of “Jackass”?) Even if we limit our search for audacity to Aguilar’s field — the intersection of pop and ranchera known to radio programmers as “romantic Mexican music,” says Billboard‘s Leila Cobo — the idea of crossing over is nothing new. And since artists as diverse as Juan Gabriel, Juanes, Chiquis, Helen Ochoa, and Natalia Jiménez have all recently mashed up “traditional” styles with pop, Aguilar’s music fits right in. Genre mixing is definitely welcome, and it’s still little-heard on regional Mexican radio (the format probably played more genre mashups during the ’90s electro-banda-and-Tejano heyday), but Aguilar’s music has plenty of company in the wider world.

pepe aguilarExcept — here’s respectful disagreement part 2 — this album is so bad. Continue reading “Pepe Aguilar and Banda El Recodo Visit the Past, To Mixed Results”