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Beto Zapata

Who’s On the Mexican Radio? 8/26/16

beto zapata

Much has changed on the Mexican airwaves since NorteñoBlog last tuned in over a month ago. The former #1 song, a heartbroken sob story of romantic grief and brassy bereftitude by Arrolladora, has given way to a different heartbroken sob story of romantic grief and brassy bereftitude, this time by Banda MS. And everyone knows that Arrolladora ballads are ace slow jams with rhythm sections full of coiled tension, while MS ballads drip like the discharge from festering sores. It’s all there in the music!

dos monedasFurther down, two Remex Records acts have replaced themselves on the radio with remakes. The more notable is ace flarer-of-nostrils Edwin Luna and his banda of second fiddlers, La Trakalosa. Given our troubled and uncertain times on both sides of the Great Wall of Trump, NorteñoBlog finds comfort in watching Luna grimace his way through another extravagant video meant to highlight his perennially nascent acting chops. (He acts in both color and black and white!) No hay nada nuevo bajo el sol. “Dos Monedas” was previously a hit for Ramón Ayala, and it was written by Jesse Armenta — You know him! He wrote some political barnburners for Los Tigres, including “El Circo,” thus winning himself a chapter in the book Narcocorrido — and it’s another heartbroken sob story.

Only this sob story is not at all romantic; it’s closer to “The Christmas Shoes” or some shit. The narrator is an abusive drunk. One cold and wintry night he sends his son out to beg for money to support the family booze fund. The next morning he opens the door to find sonny boy dead, both frozen and starved, holding in his small frozen starved hands the “dos monedas” of the title. All our children should be so dedicated! The narrator, no fool, sees a moral in this story, as does Edwin Luna, whose unconvincing portrayal of the drunk ends by approximating sadness. But Luna over-emotes his songs like nobody else, a good thing, and the arrangement makes this the cheeriest tune about filicide since “Sweet Child O’ Mine.” ¡VALE LA PENA! Continue reading “Who’s On the Mexican Radio? 8/26/16”

Who’s On the Mexican Radio? 5/3/16

bien servida

Welcome to the Mexican charts, where change, as my cosmetic podiatrist likes to say, is afoot. Although it’s been several weeks since NorteñoBlog tuned in to the Mexican radio, the rate of turnover feels much quicker there than in El Norte. For example, check out the norteño and banda songs that have been hanging around the charts the longest:

U.S. Hot Latin:
#19 – “Ya Te Perdí La Fe” by Arrolladora, 26 weeks
#4 – “Solo Con Verte” by Banda MS, 25 weeks
#13 – “Broche de Oro” by Trakalosa, 24 weeks
#14 – “Tomen Nota” by Adriel Favela ft. Los Del Arroyo, 20 weeks
#19 – “DEL Negociante” by Los Plebes del Rancho de Ariel Camacho, 20 weeks

Mexican Popular:
#8 – “Tragos de Alcohol” by El Komander, 14 semanas
#13 – “Préstamela a Mí” by Calibre 50, 14 semanas
#17 – “El Borrachito” by Julión Álvarez, 14 semanas
#7 – “Espero Con Ansias” by Remmy Valenzuela, 13 semanas
#12 – “María” by Pepe Aguilar, 11 semanas

I know what you’re thinking: the Mexican list is way better, and not just because you’re sick of all the U.S. songs after five months! You’re right, but that quality judgment is probably just a coincidence. (And one that doesn’t account for NorteñoBlog’s fave wristwatch porn jam “Tomen Nota.”) You might also be thinking these two charts aren’t equivalent, because Hot Latin measures radio plus streams plus downloads, whereas the Mexican Popular chart only measures radio. Verdadero; but if you check out Billboard‘s radio-only Regional Mexican chart, the U.S. songs have charted for roughly the same amount of time, give or take a week, plus you find Adictiva’s certified 37-weeker “Después de Ti, ¿Quién?”, a real tantric filibuster. Continue reading “Who’s On the Mexican Radio? 5/3/16”

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