First off, NorteñoBlog congratulates friends of the blog Los Tigres, Natalia Lafourcade, and most charming man alive Pitbull on their recent Grammy wins. Los Tigres’ very good Realidades won for “Best Regional Mexican Music Album (Including Tejano),” a category that included no Tejano albums but whose name testifies to the lingering power of the Tejano voting bloc. Or at least to the outspoken crankiness of the Tejano voting bloc. (I assume there’s still a Tejano voting bloc.) Lafourcade’s fine Hasta La Raíz tied with Pitty Wap’s intermittently banging Dale for “Best Latin Rock, Urban, or Alternative Album.” NorteñoBlog woulda picked Maquinaria Norteña for Regional and Bomba Estéreo for Rock/Urban/Alternative — after all, the Bombas excel in all three areas — but these were still respectable and relevant choices.
Next, NorteñoBlog congratulates Espinoza Paz for writing lots of decent, non-sappy songs recently. Paz is capable of biting hilarity — see Marco Flores’s “El Pajarito” and Los Horóscopos’ “Estoy Con Otro En La Cama.” He can also concoct musical experiments that look deceptively simple, like Arrolladora’s “Cabecita Dura” — 120 straight syllables without pause or apparent breath! — and straight up banda bangers like Roberto Tapia’s new single “Vale La Pena.” (That video seems to have fallen off a truck, so watch it while you can.) Back in 2009, after he’d won his second straight BMI songwriter of the year award, Billboard‘s Leila Cobo interviewed Paz, a former migrant worker who doesn’t read music.
Cobo: How would you describe your music?
True enough; and like most professionals he’s had some bad days at the office, especially in solo work like “Sin Esencia,” a pensive smell-the-fart guitar ballad. Continue reading “Who’s On the Mexican Radio? 2/16/16”