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Regional Mexican Songs

Desfile de Éxitos 5/16/15

leandro-rios-2

The charts, and thus NorteñoBlog’s life, are in tumult this week. This is a good thing! Though of course, just looking at the top 10, you might be fooled into thinking the chart remains a tepid pool of stagnancy and age. King Romeo’s blockbuster hit is closing in on two years of proposing indecencies to its poor neighbors, one of whom happens to be King Romeo’s NEW blockbuster hit. (“Propuesta Indecente” has always been at war with “Hilito”?) And yes, the Julión Álvarez ballad going top 10 on Billboard‘s Hot Latin chart is some weak sofrito — but, on the other hand, it’s Julión Álvarez. NorteñoBlog likes him. Just a week ago, he dropped the official video for “El Amor De Su Vida,” and already it’s got three and a half million views. I won’t begrudge him his success with necking music, and I encourage him to release “El Aferrado” as a single cuanto antes.

Further down the list, things get more interesting. Ariel Camacho’s “Te Metiste” is up to #14 overall and #12 on Regional Mexican airplay; not bad for a posthumous ballad played by a sparse, deliberative trio configuration used by nobody else on the radio. El Komander’s “Malditas Ganas” continues to climb, and two songs that are new to the overall list — Enigma Norteño’s racing quartet tune “Calla Y Me Besas” and La Séptima Banda’s swanky, Tower of Power-ish “Bonito Y Bello” — bring as much energy as the songs they replace. Down on the Regional Mexican airplay chart, Recodo’s “Mi Vicio Más Grande” is their skippiest hit in who knows how long.

The Pick to Click is another one that’s new to the airplay chart: “Debajo Del Sombrero” by Leandro Rios ft. Pancho Uresti, whose new career seems to be guesting on everyone else’s songs. It’s two guys talking big to the father of their beloved, trying to convince him their humble ranchera ways render them worthy of his daughter’s affection. It also takes as much pleasure in the act of rhyming as any random song by Sondheim. Although, going through my Spanish rudiments, I’m disappointed the song doesn’t take place in enero, and why doesn’t our heroic caballero own a perro?

These are the top 25 Hot Latin Songs and top 20 Regional Mexican Songs, courtesy Billboard, as published May 16.

1. “El Perdón” – Nicky Jam & Enrique Iglesias
2. “Ay Vamos” – J Balvin
3. “Propuesta Indecente” – Romeo Santos (93 WEEKS OLD)
4. “Hilito” – Romeo Santos
5. “Hablame de Ti” – Banda MS (#2 RegMex) (snoooooozzzzzz)
6. “Contigo” – Calibre 50 (#1 RegMex)
7. “Travesuras” – Nicky Jam
8. “Fanatica Sensual” – Plan B
9. “Mi Verdad” – Maná ft. Shakira
10. “El Amor De Su Vida” – Julión Álvarez y Su Norteño Banda (#3 RegMex)

11. “Nota de Amor” – Wisin + Carlos Vives ft. Daddy Yankee
12. “Sigueme y Te Sigo” – Daddy Yankee
13. “Me Sobrabas Tu” – Banda Los Recoditos (#6 RegMex)
14. “Te Metiste” – Ariel Camacho y Los Plebes del Rancho (#12 RegMex)
15. “Pierdo la Cabeza” – Zion & Lennox
16. “Solita” – Prince Royce
17. “Malditas Ganas” – El Komander (#7 RegMex)
18. “Lejos De Aqui” – Farruko
19. “El Que Se Enamora Pierde” – Banda Carnaval (#5 RegMex)
20. “Dime” – Julión Álvarez y Su Norteño Banda (#14 RegMex)

21. “Un Zombie A La Intemperie” – Alejandro Sanz
22. “Calla y Me Besas” – Enigma Norteña (#4 RegMex)
23. “Inocente” – Romeo Santos
24. “Perdido En Tus Ojos” – Don Omar ft. Natti Natasha
25. “Bonito Y Bello” – La Septima Banda (#10 RegMex)

¡Adios!
“Juntos (Together)” – Juanes
—————–

8. “Levantando Polvadera” – Voz De Mando
9. “Soltero Disponible” – Regulo Caro

11. “Que Aun Te Amo” – Pesado
13. “Si Te Vuelvo a Ver” – La Maquinaria Norteña
14. “Como Tu No Hay Dos” – Los Huracanes del Norte
15. “Cuando La Miro” – Luis Coronel
16. “Mayor De Edad” – La Original Banda El Limón
17. “Que Tal Si Eres Tu” – Los Tigres Del Norte
18. “Mi Vicio Más Grande” – Banda El Recodo
19. “Debajo Del Sombrero” – Leandro Rios ft. Pancho Uresti
20. “El Quesito” – Omar Ruiz”

¡Adios!
“Todo Tuyo” – Banda El Recodo
“Se Me Sigue Notando” – Chuy Lizarraga y Su Banda Tierra Sinaloense
“Eres Tú” – Proyecto X
“Lo Hiciste Otra Vez” – La Arrolladora Banda El Limón
“Qué Tiene De Malo” – Calibre 50 ft. El Komander

Who’s On the Mexican Radio? 5/3/15

claudio

Last week NorteñoBlog recommended “Cerveza” by the cruel drunks in Banda Cuisillos. It turns out “Cerveza” has garnered one of the 20 biggest radio audiences in México but, due to some chart formulas I don’t quite understand at the website monitorLATINO, hasn’t yet hit the radio top 20, which measures total spins rather than estimated audience. (This could just mean it’s more popular in urban radio markets, where more people will hear its fewer spins…???)

ANYWAY, my point here is not to reveal how little I know about Mexican radio stats, but rather to direct you to two more such songs. The first is “Te Extraño Poquito” by Claudio Alcaraz y Su Banda Once Varas. It’s got breathless banda bombast and Alcaraz moving through increasingly desperate stages of post-breakup grief until, in the video, he goes Lloyd Dobbler on his ex and shows up outside her window with the entire banda. Neither ex nor neighbors call the police; rather, ex turns out the light, so everyone just gives up and goes home. Continuará…

Popular but less-spun song two is the charming “Amanece Y No Estas” by Diego Verdaguer, who splits the difference between mariachi and Jason Mraz-style hippy dippiness. No ukelele though, promise.

But today’s Pick to Click is yet another top 20 single from NorteñoBlog’s album of the year so far, Marco A. Flores’s Soy El Bueno. “Dudo” is more of Flores’s trademark Sinaloan banda played at Zacatecas speed. He uses pop chord changes but avoids sentimentality, mostly because he’s got a voice like a tornado siren playing a wax paper comb. The song lasts all of 2:48. I swear this record’s like the Ramones or someone.

Other newbies include ballads by Saul “El Jaguar” and Luz Maria, and something by Los Titanes de Durango featuring 14-year-old Jaziel Avilez. Being a sucker for such novelty and having once enjoyed Los Titanes, who despite their name play plain old norteño and not duranguense, I so wanted to like this song, but “Padre Ejemplar” goes on way too long. 40 seconds longer than “Dudo,” to be exact. Talk about self indulgence!

These are the Top 20 “Popular” songs in Mexico, as measured by monitorLATINO. Don’t confuse “Popular” with the “General” list, which contains many of the same songs but also “Uptown Funk!”, “Sugar,” “Love Me Like You Do,” and an Alejandro Sanz ballad about scratchy-voiced zombies.

1. “Después de Ti ¿Quién?” – La Adictiva Banda San Jose
2. “Contigo” – Calibre 50
3. “El Amor de Su Vida” – Julión Álvarez
4. “Confesion” – La Arrolladora Banda El Limón
5. “A Lo Mejor” – Banda MS
6. “Perdi La Pose” – Espinoza Paz
7. “Me Toco Perder” – Banda Los Recoditos
8. “No Fue Necesario” – El Bebeto
9. “Tranquilito” – El Chapo de Sinaloa
10. “Indeleble” – Banda Los Sebastianes

11. “Dudo” – Marco A. Flores y No.1 Banda Jerez
12. “Que te Quede Claro” – Saul El Jaguar
13. “Si Tuviera Que Decirlo” – Pedro Fernandez
14. “Padre Ejemplar” – Los Titanes de Durango ft. Jaziel Avilez
15. “La Reina” – La Iniciativa
16. “Ponte Las Pilas” – America Sierra
17. “Y Esa Soy Yo” – Luz Maria
18. “Que Tal Si Eres Tu” – Los Tigres Del Norte
19. “Un Ranchero En La Ciudad” – Leandro Rios ft. Pancho Uresti
20. “Escuchame” – Fidel Rueda

¡Adios!
“Adicto a la Tristeza” – Banda La Trakalosa ft. Pancho Uresti
“Que Aún Te Amo” – Pesado
“Me Importas” – Los Primos MX
“Malditas Ganas” – Alfredo Rios El Komander
“Todo Tuyo” – Banda El Recodo

Things I Learned Listening to Javier Rosas This Weekend

otro golpe newBack in March NorteñoBlog was temporarily confused when the benevolent Fonovisa corporation re-released an old album by Javier Rosas y Su Artillería Pesada as though it was a new album.

otro golpe oldOtro Golpe originally came out in 2013 on whichever tiny label was releasing Javier Rosas albums at the time. Presumably nobody heard Otro Golpe that way, so Fonovisa gave it a new cover and distributed it to the masses to capitalize on Rosas’s minor radio hit, “Y Vete Olvidando.”

lleuge“Olvidando” came out late in 2014 as the second song on Llegué Para Quedarme, Rosas’s official Fonovisa debut. Three weeks after Otro Golpe dropped for the second time, Rosas got shot in an even more confusing scenario near a Culiacán mall. Since then he’s understandably dropped from sight, the better to hasten his recovery.

What’s not confusing is how good Rosas and his band are. I mean, the band’s named “Heavy Artillery”! (Also the best Mr. Lif song, imo.) They’re not as heavy as Noel Torres’s band — the drummer skitters more than pounds — but their dense interplay is similarly hard to fathom. And that density is the musical point. This took me a while to understand. Because Rosas’s songs have melodies and chords, you might expect those melodies and chords to be the point, the songs’ reason for being. As a songwriter Rosas has a welcome fondness for minor chords, and sometimes his tunes will run up to unexpected heights, and that’s all well and good, but Rosas’s corridos — and he’s in his element singing narcocorridos, not romantic ballads — primarily constitute a framework for himself and his band to demonstrate how badass they are. The Artillería Pesada accomplishes its badassery two ways: Rosas sings with amused gravity, because his crime stories intimate more than we’ll ever understand; and the band is a frightening rhythm machine.

How frightening? Like, they keep making me think of James Brown, everything subsumed to polyrhythmic whirl. The Pick to Click is still “Por Clave Llevo El 13,” a math-oriented tale of illicit doings and ne’er-do-wells, and the rhythm section — which is basically everyone except Rosas and the accordion player — achieves some math-rocking triplet-against-duple thing I’m still at a loss to fully understand. (Like, who’s playing the triplets? Is it just the accordion riff, or are those constant skittering snare rolls part of the “three”? The tuba is clearly subdividing in two or four.) Rosas is no Brown, but storytelling is a different task than whatever you’d say James Brown does. Rosas rides the rhythms with authority, without even seeming like he’s trying to ride them. He just tells stories, man; the band plays an audible expression of whatever violent turmoil Rosas won’t allow himself to state outright.

Track-to-track comparison reveals that Otro Golpe is better than Llegué, because Llegué contains a couple slow songs that stretch out and unwind the band’s dense rhythm attack. Not that the band couldn’t put over slow ones, but so far they don’t. The comparison also reveals Rosas is very consistent — the third track of each is devoted to a femme fatale/trap queen figure named “La China”. Both albums close with cumbia medleys — “popurris” — and the one on Llegué goes on way too long.

Desfile de Éxitos 5/2/15

malditas ganas

Some NorteñoBlog favorites are climbing the Billboard charts this week, and so NorteñoBlog is happy, even as “Bailando” doble “El Perdón” continues at #1. Ariel Camacho’s love song “Te Metiste” is either laconic or intense, possibly depending on whether in it you hear echoes of his signature song “El Karma,” which grows stranger with every spin on the radio. “Te Metiste” is at #19 on Hot Latin and nowhere on the airplay list, indicating support from mostly streams and downloads, but give it time — regional Mexican radio knows to respond to listeners’ whims, so all those clicks could yet translate into another weird radio song.

A little further down, Alfredo Ríos El Komander’s shambolic breakup song “Malditas Ganas” is at #24, making it his second biggest solo hit after last year’s “Soy De Rancho.” In fact, in the third verse Ríos offers to serenade his lost love with “Soy De Rancho,” but he still ends the song lonely. The same thing happens to me whenever I serenade my wife with “Soy De Rancho.” This song’s been kicking around the Mexican chart all year, so let’s roll out the welcome mat. And while we’re at it, let’s welcome Los Tigres’ bouncy pickup line “Que Tal Si Eres Tu” to El Norte’s radios. The second single from Realidades is wonderfully spry, especially when you consider Los Tigres are basically at the same career point as the Stones when they released A Bigger Bang.

In non-norteño news, #3 “Propuesta Indecente” is now 91 weeks old; I propose it stick some tennis balls on its walker before it scratches up my floors. And at #5, Wisin et al’s entirely decent “Nota de Amor” would like an order of paella from one clad in yellow underwear. At the Singles Jukebox, Juana Giaimo reasonably asks, “Why don’t you do it yourself?”

These are the top 25 Hot Latin Songs and top 20 Regional Mexican Songs, courtesy Billboard, as published May 2.

1. “El Perdón” – Nicky Jam & Enrique Iglesias
2. “Ay Vamos” – J Balvin
3. “Propuesta Indecente” – Romeo Santos (91 WEEKS OLD)
4. “Hablame de Ti” – Banda MS (#2 RegMex) (snoooooozzzzzz)
5. “Nota de Amor” – Wisin + Carlos Vives ft. Daddy Yankee
6. “Hilito” – Romeo Santos
7. “Contigo” – Calibre 50 (#1 RegMex)
8. “Travesuras” – Nicky Jam
9. “Mi Verdad” – Maná ft. Shakira
10. “Fanatica Sensual” – Plan B

11. “Sigueme y Te Sigo” – Daddy Yankee
12. “Pierdo la Cabeza” – Zion & Lennox
13. “El Amor De Su Vida” – Julión Álvarez y Su Norteño Banda (#8 RegMex)
14. “Me Sobrabas Tu” – Banda Los Recoditos (#11 RegMex)
15. “Qué Tiene De Malo” – Calibre 50 ft. El Komander (#18 RegMex)
16. “Lejos De Aqui” – Farruko
17. “Dime” – Julión Álvarez y Su Norteño Banda (#14 RegMex)
18. “Solita” – Prince Royce
19. “Te Metiste” – Ariel Camacho y Los Plebes del Rancho
20. “Soltero Disponible” – Regulo Caro (#3 RegMex)

21. “Lo Hiciste Otra Vez” – La Arrolladora Banda El Limón (#6 RegMex) (Oh dear, this is not good. Not just sap — meandering sap.)
22. “Juntos (Together)” – Juanes
23. “El Que Se Enamora Pierde” – Banda Carnaval (#5 RegMex)
24. “Malditas Ganas” – El Komander (#13 RegMex)
25. “Inocente” – Romeo Santos

¡Adios!
“Disparo Al Corazon” – Ricky Martin
“Yo También” – Romeo Santos ft. Marc Anthony
—————–

4. “Calla y Me Besas” – Enigma Norteña
7. “Levantando Polvadera” – Voz De Mando
9. “Que Aun Te Amo” – Pesado
10. “Eres Tú” – Proyecto X

12. “Como Tu No Hay Dos” – Los Huracanes del Norte
15. “Se Me Sigue Notando” – Chuy Lizarraga y Su Banda Tierra Sinaloense
16. “Todo Tuyo” – Banda El Recodo
17. “Si Te Vuelvo a Ver” – La Maquinaria Norteña
18. “Bonito Y Bello” – La Septima Banda
19. “Cuando La Miro” – Luis Coronel
20. “Que Tal Si Eres Tu” – Los Tigres Del Norte

¡Adios!
“No Te Vayas” – Fidel Rueda
“Eres Una Niña” – Gerardo Ortíz (#13 RegMex)
“El Karma” – Ariel Camacho y Los Plebes del Rancho (#11 RegMex)

Who’s On the Mexican Radio? 4/10/15

iniciativa

This week’s two new songs present a conundrum. Do I prefer Los Recoditos’ new ballad “Me Toco Perder,” specifically the heartfelt manner in which the lead singer pronounces the word “estrellllllas,” holding himself back from the crucial high note until his vibrato bursts through like a tear-filled reservoir? Or should I direct you instead to the speedier pleasures of La Iniciativa’s “La Reina,” which has lots of stop-start precision and chewy tuba-vs.-accordion lines? Probably the latter. But there’s a third song that deserves your attention more: Ariel Camacho’s love song “Te Metiste,” debuting this week on Billboard’s Hot Latin chart but not the regional Mexican chart, which means it’s getting most of its listens from streams and/or downloads. This could still be the result of Camacho’s death bump, but I prefer to think people are seeking out this song because of its great melody played by an excellent band. Pick to click:

In other news, Julión Álvarez’s “El Amor de Su Vida” goes top 10 in both countries. Clearly I am wrong about it.

These are the Top 20 “Popular” songs in Mexico, as measured by radioNOTAS. Don’t confuse “Popular” with the “General” list, which contains many of the same songs but also “Uptown Funk!”, “Sugar,” and, sounding like they crashed from all that sugar, Juan Gabriel singing with Juanes.

1. “Contigo” – Calibre 50
2. “Después de Ti ¿Quién?” – La Adictiva Banda San Jose
3. “Que Tal Si Eres Tu” – Los Tigres Del Norte
4. “Perdi La Pose” – Espinoza Paz
5. “A Lo Mejor” – Banda MS
6. “Si Tuviera Que Decirlo” – Pedro Fernandez
7. “El Amor de Su Vida” – Julión Álvarez
8. “Confesion” – La Arrolladora Banda El Limón
9. “No Fue Necesario” – El Bebeto
10. “Todo Tuyo” – Banda El Recodo

11. “Malditas Ganas” – Alfredo Rios El Komander
12. “Indeleble” – Banda Los Sebastianes
13. “Escuchame” – Fidel Rueda
14. “Me Importas” – Los Primos MX
15. “Que Aún Te Amo” – Pesado
16. “Ponte Las Pilas” – America Sierra
17. “Que te Quede Claro” – Saul El Jaguar
18. “Adicto a la Tristeza” – Banda La Trakalosa ft. Pancho Uresti
19. “Me Toco Perder” – Banda Los Recoditos
20. “La Reina” – La Iniciativa

¡Adios!
“Sencillamente” – Raúl y Mexia + SuenaTron
“Culpable Fui (Culpable Soy)” – Intocable

Desfile de Éxitos 4/11/15

enigma norteno

And there dawned upon the world a new era of peace and prosperity, laps filled with cats and pockets filled with frozen burritos, the sun shining all the time even at night as the world realized that, not only was Enrique Iglesias’s “Bailando” no longer #1, it was actually NOWHERE IN THE TOP 25. Do you understand what this means??? “Bailando” is no longer at war with “Propuesta Indecente.” In fact, “Bailando” has NEVER been at war with “Propuesta Indecente.” Maybe the word “contigo” doesn’t even exist, who knows? Don’t ask questions!

Despair sets in as two ugly truths also dawn upon the world:

1) This means “Propuesta Indecente” won, and IT’S STILL #3 AFTER 88 WEEKS.
2) The current #1, Nicky Jam’s “El Perdon,” features both Enrique and the same chord progression as “Bailando.”

And the world suddenly realizes it’s trapped inside an unusually danceable episode of The Twilight Zone (Gente de Zona de Penumbra?) and contemplates retiring to either an underground bunker or an airplane at 20,000 feet, because at least the world knows how those scenarios will play out. Not only is “El Perdon” #1 for the fourth week, Billboard reports it had the second best week ever on the Latin streaming chart, with 2.8 million U.S. clicks. (Which song had the best week ever? Here’s a hint: it wants to click contigo…) But it’s not just streaming; “El Perdon” is popular across the metrics:

“Perdon” stands atop the Latin Airplay chart for a third week (10.9 million audience impressions, up 5 percent) and climbs 2-1 on Latin Digital Songs (up 50 percent to 11,000 downloads), notching Jam his first digital chart-topper and Iglesias his fourth. All this action lands “Perdon” a No. 66 debut on the Hot 100, the highest rank for a Spanish-dominant title on the list since “Odio” by Romeo Santos featuring Drake peaked at No. 45 on the chart dated Feb. 15, 2014. “Perdon” is also Jam’s first Hot 100 hit.

In other news, Julión Álvarez’s unexciting but still listenable Aferrado is the #1 Latin album with 6,000 sold. I tried again with “El Amor de Su Vida,” now #24 on Hot Latin, and the best I can say is it’s unexciting but still listenable.

More exciting is the song climbing at #7 on the Regional Mexican airplay chart, Enigma Norteño’s “Calla Y Me Besas.” Thanks to some hot accordion work and tight band interplay, the song has grown on NorteñoBlog and is today’s Pick to Click:

These are the top 25 Hot Latin Songs and top 20 Regional Mexican Songs, courtesy Billboard, as published April 11.

1. “El Perdon” – Nicky Jam & Enrique Iglesias
2. “Ay Vamos” – J Balvin
3. “Propuesta Indecente” – Romeo Santos (88 WEEKS OLD)
4. “Hablame de Ti” – Banda MS (#2 RegMex) (snoooooozzzzzz)
5. “Contigo” – Calibre 50 (#1 RegMex)
6. “Travesuras” – Nicky Jam
7. “Mi Verdad” – Maná ft. Shakira
8. “Hilito” – Romeo Santos
9. “Yo También” – Romeo Santos ft. Marc Anthony
10. “Fanatica Sensual” – Plan B

11. “Nota de Amor” – Wisin + Carlos Vives ft. Daddy Yankee
12. “El Karma” – Ariel Camacho y Los Plebes del Rancho (#11 RegMex)
13. “Qué Tiene De Malo” – Calibre 50 ft. El Komander (#18 RegMex)
14. “Soltero Disponible” – Regulo Caro (#3 RegMex)
15. “Pierdo la Cabeza” – Zion & Lennox
16. “Eres Una Niña” – Gerardo Ortíz (#13 RegMex)
17. “Dime” – Julión Álvarez y Su Norteño Banda (#9 RegMex)
18. “Juntos (Together)” – Juanes
19. “Me Sobrabas Tu” – Banda Los Recoditos (#15 RegMex)
20. “Lo Hiciste Otra Vez” – La Arrolladora Banda El Limón (#5 RegMex) (Oh dear, this is not good. Not just sap — meandering sap.)

21. “Sigueme y Te Sigo” – Daddy Yankee
22. “Lejos De Aqui” – Farruko
23. “Disparo Al Corazon” – Ricky Martin
24. “El Amor De Su Vida” – Julión Álvarez y Su Norteño Banda (#14 RegMex)
25. “El Que Se Enamora Pierde” – Banda Carnaval (#4 RegMex)

¡Adios!
“Piensas (Dile La Verdad)” – Pitbull ft. Gente de Zona
“Bailando” – Enrique ft. Descemer Bueno, Gente de Zona, & the word “contigo” (52 WEEKS OLD! “Feliz cumpleaños contigo…”)
“Mi Vuelvo Un Cobarde” – Christian Daniel
—————–

6. “Levantando Polvadera” – Voz De Mando
7. “Calla y Me Besas” – Enigma Norteña
8. “Eres Tú” – Proyecto X
10. “Que Aun Te Amo” – Pesado

12. “Se Me Sigue Notando” – Chuy Lizarraga y Su Banda Tierra Sinaloense
16. “No Te Vayas” – Fidel Rueda
17. “Si Te Vuelvo a Ver” – La Maquinaria Norteña
18. “Todo Tuyo” – Banda El Recodo
19. “Cuando La Miro” – Luis Coronel
20. “Bonito Y Bello” – La Septima Banda

¡Adios!
“Mi Primera Vez” – Jonatan Sánchez
“Mi Princesa” – Remmy Valenzuela

Who’s On the Mexican Radio? 3/27/15

banda ms

Little to report this week: the only new songs in the top 20 are disappointing ballads by Julión Álvarez and Saul “El Jaguar.” One of the bright spots is #8, where norteño quintet Pesado’s “Que Aún Te Amo” lopes and soars amid all the ballads surrounding it in the top 10. (Also, I’m wondering whether I could get my hair to look like the young lead in the video. My blending skills need work.) At #9, mariachi singer Pedro Fernandez soars but doesn’t lope; rather, his beat chugs and pulses in ways that remind me of mid-’80s NRG ballads, or maybe Vangelis. And I won’t say it’s good, but Banda MS’s video for “A Lo Mejor” somehow crams an entire novela episode, including a cheap trick ending, into five minutes; I’m still trying to figure out how everyone’s related. Better than Sudoku for keeping your mind sharp!

These are the Top 20 “Popular” songs in Mexico, as measured by radioNOTAS. Don’t confuse “Popular” with the “General” list, which contains many of the same songs but also “Uptown Funk!”, “Sugar,” and, once again, the ABBA-Schlager of Natalia Jiménez.

1. “Contigo” – Calibre 50
2. “Que Tal Si Eres Tu” – Los Tigres Del Norte
3. “Después de Ti ¿Quién?” – La Adictiva Banda San Jose
4. “A Lo Mejor” – Banda MS
5. “No Fue Necesario” – El Bebeto
6. “Perdi La Pose” – Espinoza Paz
7. “Culpable Fui (Culpable Soy)” – Intocable
8. “Que Aún Te Amo” – Pesado
9. “Si Tuviera Que Decirlo” – Pedro Fernandez
10. “Confesion” – La Arrolladora Banda El Limón

11. “Todo Tuyo” – Banda El Recodo
12. “Malditas Ganas” – Alfredo Rios El Komander
13. “Ponte Las Pilas” – America Sierra
14. “Me Importas” – Los Primos MX
15. “Escuchame” – Fidel Rueda
16. “Adicto a la Tristeza” – Banda La Trakalosa ft. Pancho Uresti
17. “Indeleble” – Banda Los Sebastianes
18. “El Amor de Su Vida” – Julión Álvarez
19. “Que te Quede Claro” – Saul El Jaguar
20. “Sencillamente” – Raúl y Mexia + SuenaTron

¡Adios!
“Tranquilito” – El Chapo de Sinaloa
“Me Sobrabas Tu” – Banda Los Recoditos

Desfile de Éxitos 3/28/15

luis coronel

You’d be excused for thinking the charts are dormant this week — the same #1’s, mostly the same top 10’s, “Bailando” has always been at war with “Propuesta Indecente,” etc. — but look beneath the filthy snow and there are signs of life. For one thing, NorteñoBlog will never complain about an accordion ballad reaching the Hot Latin top 10, even when that ballad is as lifeless as Calibre 50’s “Contigo.” True, this particular song might not push my buttons, but anything that helps squeeze out one of King Romeo’s romantic bellows is fine by me. (i.e., Adios to “Eres Mia,” only a year old.)

For another, some decent songs are muscling their way up. The Pick to Click is “Nota de Amor,” a pretty piano/accordion reggaeton love note by Wisin, Carlos Vives, and Daddy Yankee. It’s got the same chord changes as the Black Eyed Peas’ “Where Is the Love?,” though I didn’t detect any lines comparing the CIA to the KKK. We noted last week that the puro Chihuahua sax of La Maquinaria Norteña is awesome, and their “Si Te Vuelvo a Ver” is getting more radio play. And wonder of wonders, Tuscon’s teen tenor Luis Coronel is charting with a song that doesn’t suck! “Cuando La Miro” is some fairly likable magic changes bullshit. Coronel can barely keep up with it, but he knows how to put across wide-eyed eagerness.

All that plus Pitbull! NorteñoBlog will also never complain about the presence of Pitbull. And not just on the charts — in public and semi-public spaces. Even if Pitbull set up a Sheets Energy Strips display inside a funeral home and cornered NorteñoBlog, NorteñoBlog would just end up buying a bunch of energy strips and handing them out to the bereaved because, you know, it’s Pitbull. He could charm the rigor off of rigor mortis and/or Marco Rubio.

These are the top 25 Hot Latin Songs and top 20 Regional Mexican Songs, courtesy Billboard, as published March 28.

1. “El Perdon” – Nicky Jam & Enrique Iglesias
2. “Propuesta Indecente” – Romeo Santos (86 WEEKS OLD)
3. “Ay Vamos” – J Balvin
4. “Bailando” – Enrique ft. Descemer Bueno, Gente de Zona, & the word “contigo” (52 WEEKS OLD! “Feliz cumpleaños contigo…”)
5. “Hablame de Ti” – Banda MS (#6 RegMex) (snoooooozzzzzz)
6. “Mi Verdad” – Maná ft. Shakira
7. “Contigo” – Calibre 50 (#1 RegMex)
8. “Travesuras” – Nicky Jam
9. “Yo También” – Romeo Santos ft. Marc Anthony
10. “El Karma” – Ariel Camacho y Los Plebes del Rancho (#11 RegMex)

11. “Hilito” – Romeo Santos
12. “Lejos De Aqui” – Farruko
13. “Fanatica Sensual” – Plan B
14. “Piensas (Dile La Verdad)” – Pitbull ft. Gente de Zona
15. “Disparo Al Corazon” – Ricky Martin
16. “Eres Una Niña” – Gerardo Ortíz (#9 RegMex)
17. “Soltero Disponible” – Regulo Caro (#2 RegMex)
18. “Dime” – Julión Álvarez y Su Norteño Banda (#8 RegMex)
19. “Juntos (Together)” – Juanes
20. “Lo Hiciste Otra Vez” – La Arrolladora Banda El Limón (#3 RegMex) (Oh dear, this is not good. Not just sap — meandering sap.)

21. “Pierdo la Cabeza” – Zion & Lennox
22. “Mi Vuelvo Un Cobarde” – Christian Daniel
23. “Qué Tiene De Malo” – Calibre 50 ft. El Komander (#18 RegMex)
24. “Nota de Amor” – Wisin + Carlos Vives ft. Daddy Yankee
25. “Mi Princesa” – Remmy Valenzuela (#13 RegMex)

¡Adios!
“Eres Mia” – Romeo Santos (53 WEEKS OLD)
—————–

4. “Levantando Polvadera” – Voz De Mando
5. “El Que Se Enamora Pierde” – Banda Carnaval
7. “Eres Tú” – Proyecto X
10. “No Te Vayas” – Fidel Rueda

12. “Que Aun Te Amo” – Pesado
13. “Se Me Sigue Notando” – Chuy Lizarraga y Su Banda Tierra Sinaloense
14. “Mi Primera Vez” – Jonatan Sánchez
15. “Calla y Me Besas” – Enigma Norteña
16. “Si Te Vuelvo a Ver” – La Maquinaria Norteña
17. “Me Sobrabas Tu” – Banda Los Recoditos
18. “Cuando La Miro” – Luis Coronel
19. “Todo Tuyo” – Banda El Recodo
20. “Bonito Y Bello” – La Septima Banda

¡Adios!
“Y Vete Olvidando” – Javier Rosas
“Entonces Que Somos” – Banda El Recodo (A nada Luciano Luna ballad off Recodo’s 2013 album, now turned into a dramatic short film.)

Desfile de Éxitos 3/14/15

keep-calm-and-listen-ariel-camacho

The Hot Latin chart has its fourth #1 in as many weeks. It’s a fatalistic tuba and guitar corrido by a man who just died. This is unusual; but then, the concept of “normalcy” never really applies in the wake of death.

“El Karma” was Ariel Camacho’s first charting single, peaking at #16 on Hot Latin, which is why many news sources linked to it in the wake of his fatal car accident last week. Now it’s destined to remain his signature song. It’s also the first regional Mexican song to top the overall Hot Latin chart since 3BallMTY’s “Inténtalo,” if we’re counting electro-cumbias, or Arrolladora’s “Niña de Mi Corazon” if we’re not. This is mostly due to an increase in streaming and sales — but also, it was a slow week. Hot Latin compiles its tally from a top secret mix of digital sales, streams, and radio airplay. Below I’ve listed (as well as I could find) the tallies from the last four Hot Latin #1s, in the weeks that they reached the top. (Can you use the principles of detection to triangulate Billboard‘s top secret formula?)

“El Karma” – Ariel Camacho
3,000 downloads (#7 Latin Digital Songs)
1.9 million streams
4.8 million audience impressions (#9 Regional Mexican Songs)
(Note that Ricky Martin’s “Disparo Al Corazon” is #1 Latin Airplay with 10.2 million impressions.)

“Ay Vamos” – J Balvin
5,000 downloads (#4 Latin Digital Songs)
?? streams
7.7 million audience impressions (#2 Latin Rhythm Airplay)

“Mi Verdad” – Maná ft. Shakira
14,000 downloads (#1 Latin Digital Songs)
?? streams (10 million-ish worldwide; not sure how many of these count)
10 million audience impressions (#1 Latin Airplay)

“Bailando” – Enrique Iglesias ft. Descemer Bueno, Gente de Zona, & the word “contigo” (May 7, 2014, its first week at #1)
13,000 downloads (#1 Latin Digital Songs)
?? streams (27 million views over four weeks; #1 Latin Streaming Songs)
9.5 million audience impressions (#5 Latin Airplay)

As you can see, “El Karma” lags behind the other three in sales and radio play, and fewer people seemed to stream it than they did “Mi Verdad” or “Bailando.” I’m surprised “El Karma” streamed so little, actually, but look — it was just a really slow week. “El Karma” was the only new song in the top 25, and except for it and “El Perdon,” the top 10 looks basically the same as it did two weeks ago. Some of these songs are oooooold. (“Bailando” has always been at war with “Propuesta Indecente.”) The Regional Mexican airplay chart, where “El Karma” climbed back to #9, isn’t much better: new songs by Recodo and Enigma Norteña round out the bottom of the list. Pesado’s new-ish “Que Aun Te Amo” is good ol’ bouncy country, but if you haven’t listened to “El Karma” yet, you owe it to yourself.

These are the top 25 Hot Latin Songs and top 20 Regional Mexican Songs, courtesy Billboard, as published March 14.

1. “El Karma” – Ariel Camacho y Los Plebes del Rancho (#9 RegMex)
2. “Bailando” – Enrique ft. Descemer Bueno, Gente de Zona, & the word “contigo” (I’M 50! 50 WEEKS OLD!)
3. “Ay Vamos” – J Balvin
4. “Propuesta Indecente” – Romeo Santos (84 WEEKS OLD)
5. “Mi Verdad” – Maná ft. Shakira
6. “El Perdon” – Nicky Jam & Enrique Iglesias
7. “Yo También” – Romeo Santos ft. Marc Anthony
8. “Hablame de Ti” – Banda MS (#12 RegMex) (snoooooozzzzzz)
9. “Travesuras” – Nicky Jam
10. “Eres Mia” – Romeo Santos (51 WEEKS OLD)

11. “Juntos (Together)” – Juanes
12. “Disparo Al Corazon” – Ricky Martin
13. “Lejos De Aqui” – Farruko
14. “Contigo” – Calibre 50 (#10 RegMex)
15. “Hilito” – Romeo Santos
16. “Eres Una Niña” – Gerardo Ortíz (#8 RegMex)
17. “Piensas (Dile La Verdad)” – Pitbull ft. Gente de Zona
18. “Dime” – Julión Álvarez y Su Norteño Banda (#5 RegMex)
19. “Soltero Disponible” – Regulo Caro (#2 RegMex)
20. “Levantando Polvadera” – Voz De Mando (#1 RegMex)

21. “Qué Tiene De Malo” – Calibre 50 ft. El Komander (#18 RegMex)
22. “Fanatica Sensual” – Plan B
23. “Mi Vuelvo Un Cobarde” – Christian Daniel
24. “Lo Hiciste Otra Vez” – La Arrolladora Banda El Limón (#3 RegMex) (Oh dear, this is not good. Not just sap — meandering sap.)
25. “Mi Princesa” – Remmy Valenzuela (#13 RegMex)

¡Adios!
“Adios” – Ricky Martin (BACK FROM TO THE DEAD THIRTIES DEAD)

—————–

4. “Eres Tú” – Proyecto X
6. “No Te Vayas” – Fidel Rueda
7. “El Que Se Enamora Pierde” – Banda Carnaval

11. “Mi Primera Vez” – Jonatan Sánchez
14. “Se Me Sigue Notando” – Chuy Lizarraga y Su Banda Tierra Sinaloense
15. “Entonces Que Somos” – Banda El Recodo (A nada Luciano Luna ballad off Recodo’s 2013 album, now turned into a dramatic short film.)
16. “Que Aun Te Amo” – Pesado
17. “Y Vete Olvidando” – Javier Rosas
19. “Todo Tuyo” – Banda El Recodo
20. “Calla y Me Besas” – Enigma Norteña

¡Adios!
“El Amor de Nosotros” – Duelo
“Javier El de Los Llanos” – Calibre 50

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