The song sitting atop this week’s radio chart is an oddity. Banda Carnaval’s “Te Cambio El Domicilio,” a spritely pitching of woo with soaring vocal harmonies and a clever title conceit (“don’t change anything, baby, ’cause I’mma make you change your address” — I’m paraphrasing), has been climbing Billboard‘s Regional Mexican chart for 17 weeks, finally hitting #1 last week. But it still hasn’t gone top 25 on the Hot Latin chart, which measures downloads and streams alongside radio play. This is the first Regional Mexican #1 this year that hasn’t cracked the Hot Latin 25, and most of those songs have gone top 10 on the big chart during their most popular radio weeks. Basically, if a song’s receiving that much radio play and it has an online presence — Youtube video, availability at streaming sites and download stores — it’s gonna represent on Hot Latin.
What’s more, the video for “Domicilio” — in which the young men of Carnaval pitch their woo in front of a number of high-end urban settings, including Guadalajara’s extremely pointy Puente Matute Remus — has been viewed 25 million times in the past four months… which, I dunno, seems like it should be enough to drive the song into the company of King Romeo and Viceroy Nicky Jam? For comparison, Remmy Valenzuela’s lovely inquiry into the madness of love, “¿Por Qué Me Ilusionaste?”, is middling at #12 Regional Mexican this week. Its video dropped a week later than Carnaval’s, and so far it’s garnered 6.5 million fewer views, but the song is at #18 Hot Latin. Granted, I have no idea how much either video has been viewed in specific weeks or how much they’ve sold online. All I know is Remmy’s song has less radio play and fewer overall Youtube hits than Carnaval’s song, but Remmy’s on Hot Latin and Carnaval isn’t.
This isn’t some huge cosmic injustice or anything; basically it’s me pointing a dowsing stick at Billboard and trying to divine their proprietary chart formulas. Continue reading “Desfile de Éxitos 12/19/15: Debajo Los Puentes”