edwinyvicky

helen ochoaHelen Ochoa is very good at playing the part of the woman scorned. Whether she’s strangling her no good cheating boyfriend in reverse or simply leaning against rocks beside an ocean that mirrors her tumultuous emotional state, her portrayals unpack the many layers of scorned woman grief. Although, curiously, I haven’t found her looking sad yet. She’s funny, proud, spiteful, and above all resolute; and you can hear that resolve in her long-awaited debut album Si Yo Fuera Un Chico (Gerencia360/Sony). She first released the title single, a Beyoncé cover, two years ago. It gave her the rare chance to sing some melismas and got her noticed by the Premios de la Radio, which needed nominees for its depressingy thin “Artista Femenina Del Año” category. The new album collects her banda singles since then, along with a Noel Torres duet and a cover of the go-go boot-scootin’ boogie showstopper “Más Bonita Que Ninguna,” from a 1965 Rocio Dúrcal musical of the same name. There are nice production touches too, like the country guitar that opens “De Cama en Cama.” I’m not totally sold on the album yet, but it’s worth at least a listen, and NorteñoBlog is rooting for her. Continue reading “¡Nuevo! (starring Helen Ochoa, Los Horóscopos, y más)”