It is the longstanding position of NorteñoBlog that the puro sax styles of Chihuahua and Zacatecas would improve with the addition of more terrible “sax” puns in the titles. The Zacatecan-I-think quintet Luis Ruiz y la Embarcacion de la Musica Norteña has just released their second album Pura Rienda Suelta (Goma) (alternate title: Cuidado Con La Bestia Saxy), and on first listen it stands out from the puro sax pack. Por ejemplo, accordion and sax hang out on a repetitive minor-chord riff in their single “Me Enamoré” (sequel title: “Tuvimos Saxo”). In a subgenre that’s almost oppressively chipper, minor chords count for plenty. But even on chipper tunes like Regulo Caro’s oft-covered “La Buchona” (alternate title: “Labios Saxys”), Ruiz’s clarion voice sells the songs. He’s got a way of making the most heartfelt pleas sound tossed-off. Thumbs up indeed, Sr. Ruiz.
Improbably (and not at all saxily), Los Plebes Del Rancho de Ariel Camacho are climbing closer to the Hot Latin top 10 with their single “DEL Negociante,” written by their DEL Records labelmates Revolver Cannabis. Like “Me Enamoré,” “DEL” boasts a memorable minor-key riff. Unlike “Me Enamoré,” it features the teenaged José Manuel Lopez Castro pinch hitting for previous lead singer Ariel Camacho, who died a year ago, and he’s singing a song about their label boss, Angel Del Villar. This is both crass and wonderful. After Jimi Hendrix died, imagine his rhythm section renamed themselves “Experience Hendrix,” hired the fresh-faced Neil Young as a frontman, and scored a hit with “Lonely at the Top (Reprise),” written by Randy Newman in honor of Reprise Records boss Frank Sinatra. And then they recorded a whole album! While we’ll never know the results of that particular thought experiment, we can hear Recuerden Mi Estilo (DEL), which sounds pretty good. Lopez Castro lacks the immediate charisma of his predecessor, but tubist Omar Burgos has more than enough to share. Continue reading “¡Nuevo! (starring Los Plebes, Los Tucanes, y más)”