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Marco Antonio Solis

Archivos de 1996 (starring Jennifer y Los Jetz, Los Tigres, y más)

jennifer-pena

The Regional Mexican charts of 1996 held four separate genres. One of them was the deathless norteño of Los Tigres and Los Huracanes; the other three were in various stages of decline.

The technobanda of Bandas Machos and Maguey still thrived, but in a few years would be eclipsed by acoustic banda. Helena Simonett’s book Banda lays out the commercial leapfrogging these two styles played with one another throughout the ’90s.

Tejano fans were still mourning Selena — see #7 below — but they were also welcoming newcomers like Jennifer Peña y Los Jetz (see the Pick to Click, below) and Bobby Pulido (see the terrible song right below her). There were, however, rumblings on the horizon. San Antonio and Dallas were suffering from too many Tejano bookers flooding the market, one promoter told Billboard‘s Ramiro Burr. Some bands complained that clubs were replacing live bands with DJs. Burr would spend the next several years chronicling the decline of the Tejano genre as a commercial force, though it still exists for a small but fervent fanbase.

The third synth-based style, grupo music, also still exists, but its commercial mojo would peter out more abruptly. Marco Antonio Solís had just left Los Bukis and was scoring a bunch of solo Hot Latin #1 hits that sounded way more pop than the rest of his cohort. (See #2 below.) Bronco would retire in 1997, leaving Los Temerarios and Los Mismos to care for the genre. I think. NorteñoBlog’s disinterest in grupo music remains strong and resolute.

[EDIT: I just checked and Los Temerarios were still scoring big hits in 2004, and possibly later, so maybe the petering was more gradual.]

These were the Top 15 Regional Mexican songs, as published by Billboard on November 9, 1996: Continue reading “Archivos de 1996 (starring Jennifer y Los Jetz, Los Tigres, y más)”

Desfile de Éxitos 12/24/16

omar_ruiz_el_quesito

Since NorteñoBlog last checked Billboard‘s Latin charts, the magazine has decided to give us all a gift: the website is now posting 20 more spots on its Regional Mexican airplay chart. There you will find such curiosities as:

Marco Antonio Solis crooning about a lying mujer while swathed in a toga of strings and synths (#29);

— a previous Pick to Click from Fuerza de Tijuana, about a former honcho in the Medellín Cartel (#31);

— more chipper puro sax bands than you can shake a slimy mouthpiece at (#23, #30, and #32) — all of them ruled by the saxophone colossus at #18, La Maquinaria Norteña;

— and even more clones of Ariel Camacho. Am I alone in thinking The Clones of Ariel Camacho would make a great Univision variety show? TWENTY SUPER SERIOUS YOUNG REQUINTO PLAYERS SING OF DEATH AND LOST LOVE, Omar Burgos furiously triple-tongues his tuba whenever someone gets voted off, and everyone forgets the names of their second guitarists. Could work. In any case, Nano Machado, Los de la Noria, Los Plebes, and Ulices Chaidez are all representing Sierreño music in the bottom 20, and Chaidez has two additional songs in the overall Hot Latin top 50. This fountain of youth isn’t drying up any time soon.

Also brightening up the bottom 20 is another dude who fooled around with Sierreño earlier in 2016: Adriel Favela, whose “Tomen Nota,” a duet with Los Del Arroyo, was a credible candidate for Wristwatch Porn Video of the Year. Continue reading “Desfile de Éxitos 12/24/16”

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